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Dean Ford speaks out on Black studies and culture I believe in the whole concept of cultural plurality. Minority coalitions are essential. There needs to be dialogue between people who have common oppression. _Rictord Fo^ (hfc ^ ^^ ^^ ofg^,,, WelAr, ^ ^ ^ ^_ Black dean at CSUF to UHURU Editor John Karlukl. Uhuru: Dean Ford, I'll start by asking you a rather basic question: You are the only Black dean on campus, how does It feel? Ford: Ah . . It feels k i of course Is that coming lnt< Institution takes a lot of learn how the ayf That way you don't have much to make contacts with your col leagues outside the school. We are a school that has been through a great deal of change at the graduate and undergraduate levels, trying to change the curriculum to a more professional degree. This has been quite a tlre- some act and so one doesn't have the time and opportunity to get to know the other colleagues on a caropus-wlde basis. So one does feel a sense of isolation at that. It is not that people don't like you but you have to prove yourself and I just haven't had the time to do that on a campus- wide basis. Most of the time has been confined to the School of Social Work. Uhuru: Does the fact that you are a minority make it a bit more difficult for you? (Continued on Page 3, Col. 1) DEAN RICHARD FORD SWSSSSttSS UHURU FRIDAY, NOVEMBER 1, 1974 Block Americans in the liberation movements of S. Africa By Connie Milliard The Black American is today caught up in a dilemma. He looks at his southern African brother with a peculiar brand of envy, as the latter's battleground is so well laid out on his turf, whether or not he individually chooses to fight. Vhen the FBI In a recent re- t lashed out at efforts to enlist US Blacks In a 'Pan-African volution;- it laid bare a new d potentially devastating chal- nge to the American system, sing in the wake of the Black mther era, ghetto rebellions d black student confrontations, e concept of revolutionary Pan- Afrlcanlsm — the unity of all African peopleu ratapulted thousands MARK TEEMER: ARTIST If you have been to the College Library any time this past week, might have seen a display of r color paintings to your left. protesting B ; paintings o by . The t to the st I Fresno State inlverslty graduate art student The purpose of the art display is an attempt to make students rore conscious and responsible to the plight, of other Pan-African peoples throughout the world lo- iay. Only through this consciousness can Pan-African people be- i-ome responsible towards each nther regardless of our geographical location, and unify our minds toward the solution of our related oppressions. The state of individual identity and nationhood is oppressing within Itself to all Blacks on earth. If Black nations and peoples do not organize to help themselve«J>efore 1980. then the systematic worldwide oppression and genocide of Pan- African peoples will continue. . But, of course, there are more important viable immediate concerns to our survival.right here such as 'where Is the party at this weekend," and 'where is the grass,' probably in reverse order. What are your priorities? Wher*. are your priorities? Southern Africa. The Implications pierced the very marrow of America. The Black American Is today caught up in a dilemma. His minority status In the bastion of Capitalism deprives him of even a land base to develop and thus control his own productive forces. That Is why he can and often does look at his southern brand of envy, as the latter's battle-ground Is so well laid out on his own turf, whether or not he Individually chooses to fight. But where lies the true mystique of southern Africa among the more than 30 million Blacks In Afro-America, at certain Intervals in its stormy history and In recent times with increasing frequency has turned to Africa, essentially, for a base of support. The leader of the greatest with several thousand dollars worth of material. In a devastating prelude to coming events, this Afro-American group was arrested and deported on adlvce of the American government. The supplies and machinery were confiscated and later sold. Carvey's publication, Negro World, was .even banned In the French colonies and British West people here In order to build a the two; and once that line of n perlal i. In History, Marcus Garvey, articulated to hundreds of thousands of American Blacks for the first time the Iheme of 'Back-to- European Decades later, Malcolm X toured Africa during the nationalist campaigns which had brought African nations to political Independence. The explosive message he fcrought back to America proclaimed: «We have to have the type of understand of Africa and the type of understanding of our from that day onwards.' During the Summer of 1971, a Black American advocate of Pan- Afrtcanlsm.Owusu Sadaukal, visited the liberated areas of Mozambique and met with leaders of Frellmo. Those leaders.expressed the need for a worldwide movement for peace anb^. freedom In support of the African liberation struggles. The result, a year later, was African Liberation Day, which drew together In Washington, D.C. more than 50,000 Black people demonstration tlnued on Page 4, Col. 1) gJMHUUMM.
Object Description
Title | 1974_11 The Daily Collegian November 1974 Reloaded |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of CSUF, Fresno, Calif. |
Publication Date | 1974 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of CSUF. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | November 1974, Page |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publication Date | 1974 |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of CSUF. |
Full-Text-Search | Dean Ford speaks out on Black studies and culture I believe in the whole concept of cultural plurality. Minority coalitions are essential. There needs to be dialogue between people who have common oppression. _Rictord Fo^ (hfc ^ ^^ ^^ ofg^,,, WelAr, ^ ^ ^ ^_ Black dean at CSUF to UHURU Editor John Karlukl. Uhuru: Dean Ford, I'll start by asking you a rather basic question: You are the only Black dean on campus, how does It feel? Ford: Ah . . It feels k i of course Is that coming lnt< Institution takes a lot of learn how the ayf That way you don't have much to make contacts with your col leagues outside the school. We are a school that has been through a great deal of change at the graduate and undergraduate levels, trying to change the curriculum to a more professional degree. This has been quite a tlre- some act and so one doesn't have the time and opportunity to get to know the other colleagues on a caropus-wlde basis. So one does feel a sense of isolation at that. It is not that people don't like you but you have to prove yourself and I just haven't had the time to do that on a campus- wide basis. Most of the time has been confined to the School of Social Work. Uhuru: Does the fact that you are a minority make it a bit more difficult for you? (Continued on Page 3, Col. 1) DEAN RICHARD FORD SWSSSSttSS UHURU FRIDAY, NOVEMBER 1, 1974 Block Americans in the liberation movements of S. Africa By Connie Milliard The Black American is today caught up in a dilemma. He looks at his southern African brother with a peculiar brand of envy, as the latter's battleground is so well laid out on his turf, whether or not he individually chooses to fight. Vhen the FBI In a recent re- t lashed out at efforts to enlist US Blacks In a 'Pan-African volution;- it laid bare a new d potentially devastating chal- nge to the American system, sing in the wake of the Black mther era, ghetto rebellions d black student confrontations, e concept of revolutionary Pan- Afrlcanlsm — the unity of all African peopleu ratapulted thousands MARK TEEMER: ARTIST If you have been to the College Library any time this past week, might have seen a display of r color paintings to your left. protesting B ; paintings o by . The t to the st I Fresno State inlverslty graduate art student The purpose of the art display is an attempt to make students rore conscious and responsible to the plight, of other Pan-African peoples throughout the world lo- iay. Only through this consciousness can Pan-African people be- i-ome responsible towards each nther regardless of our geographical location, and unify our minds toward the solution of our related oppressions. The state of individual identity and nationhood is oppressing within Itself to all Blacks on earth. If Black nations and peoples do not organize to help themselve«J>efore 1980. then the systematic worldwide oppression and genocide of Pan- African peoples will continue. . But, of course, there are more important viable immediate concerns to our survival.right here such as 'where Is the party at this weekend," and 'where is the grass,' probably in reverse order. What are your priorities? Wher*. are your priorities? Southern Africa. The Implications pierced the very marrow of America. The Black American Is today caught up in a dilemma. His minority status In the bastion of Capitalism deprives him of even a land base to develop and thus control his own productive forces. That Is why he can and often does look at his southern brand of envy, as the latter's battle-ground Is so well laid out on his own turf, whether or not he Individually chooses to fight. But where lies the true mystique of southern Africa among the more than 30 million Blacks In Afro-America, at certain Intervals in its stormy history and In recent times with increasing frequency has turned to Africa, essentially, for a base of support. The leader of the greatest with several thousand dollars worth of material. In a devastating prelude to coming events, this Afro-American group was arrested and deported on adlvce of the American government. The supplies and machinery were confiscated and later sold. Carvey's publication, Negro World, was .even banned In the French colonies and British West people here In order to build a the two; and once that line of n perlal i. In History, Marcus Garvey, articulated to hundreds of thousands of American Blacks for the first time the Iheme of 'Back-to- European Decades later, Malcolm X toured Africa during the nationalist campaigns which had brought African nations to political Independence. The explosive message he fcrought back to America proclaimed: «We have to have the type of understand of Africa and the type of understanding of our from that day onwards.' During the Summer of 1971, a Black American advocate of Pan- Afrtcanlsm.Owusu Sadaukal, visited the liberated areas of Mozambique and met with leaders of Frellmo. Those leaders.expressed the need for a worldwide movement for peace anb^. freedom In support of the African liberation struggles. The result, a year later, was African Liberation Day, which drew together In Washington, D.C. more than 50,000 Black people demonstration tlnued on Page 4, Col. 1) gJMHUUMM. |