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Crespo: readings Twmmdmy. Mmy 23. 1972 THE DAILY COLLEGIAN 3 (CoatiBesd from peg* 4) bows*, which t* also a thing, aad accumulates within It all Ms feel- haa to solidary wtth a Mt of I Ufe to Amsrica more thaa i 'Father' by Pablo Neruda Wife tar has idesaxcsl sttitads. tsau the city, alwaya has hwxt read After aU. tor tha Wife oaly the °Pen to leave, half ashamed, half bedroom Is a symbol: To* waat Masefto. towards a heattle world to wreck the aeaaar> Co ahead... that it to aeceeeery to coaossr. Oaly, tf yoa wreck the bedroom, T*** world la the real enemy you'll b* moving into the new Osw caa aay then that Taa . ap*rtm*nt by yoaraelf.- For ths Wreckers* is the intuition of a j iteebaag each corner, esck board n*01* "»*M ** committed idea I ts, tor he says that he haa car- that has aot "solldlflad.1 rled Ms suffering around "from room to room.* aaa r8exeats respe< ' for the bedroom because she Batata identified wtth it; for ths sasxe reason be hates the satire hoses, reflection of Ma world, of Ms life. Here he la alienated. Here he ls mistaken. Whsn a* take* ths erne aad chops and chops like a Th* following p b byl>abtoN*nstotof«s*aia ret Bare wakniias streagth that arise* from tag depths of Ms being demanding dtgalty. Ms r to I ax ■ ■ to domestic, particular, sad Ms Mows destroy not toe worM that mist res ted Mm bat Just s reflection of It. Perhaps he 1* satisfied, bat he toavee haa real world aa It la. aad wtth a aew bxbbbb be wiU oaly begin a aew cycle. Nevertheless. Ms sttlkeds aad hla rebellion say *ometxxng If BMtow intend* to lllastrst* a mor* gsxxeral f**ltng It 1* this: the American man la aot aaaaxjr aad be suits to d*mon*tr»t* tMs violently. He begins by sat believing tn life Insurance aad ends tepidly trying to destroy Ms post ltfa. Air* H* begins to a ^^^^^^^^ for Ms mtatortaxe. ttaat vasssr social straetare which ta order to aahanpliisaa Bara—s li, according to Sartre, the American elttee begin being a project that The Vietnamese arc people A photo taken in 1968 show* a Vietnamese woenan carrying her baby outside th* village of Long Co. 60 mil** north of Hue. Scenes such aa these er* now *H too frequent as the tragedy o» conflict touches the lives of mor* and more refugee*. Even a mother's love cannot protect s child from the savagery of war. Not know* to At trsaSBSrlBBB appeared, Mareas bee Iseaa a sxajar Arasrteaa letter* tor toe last forty-five years. He aaa with many eel reallatlc. th* political, sad aa ths intlmst* He I* th* latest recipient at toe Nobel Prise asr The rough father return* from his trsins: at nioht we could recognize the whistle of th* engine car piercing the rain with a roving howl, a rejcturnal lament, and then the door that trembled: th* wind in a flash entered with my father and between footsteps and li the frightened doors bangad with dry firing of pistols. the glaiila* eeal in Hs ftarnae* lerfecno, ill of trtons to tha miat , Tha rMlwaxrksr is a sailer on land ijnleeshing nature, performing it* torreetrtol ravtoation. Whenever th* long trein r**ts th* friends **ah*r, the doers of my cn.ldhood east\ and a high pitched voice scolded, bestiie, while the stormy shadow, the rain late a waterfall streamed down the rooftop drowning the world little by little: and nothing would be heard but the wind fighting the r*m. Nevertheless, he was sn early bird. Captain of Ns trsin and of the cold d and aa aeon as ths vague sun rose, there was his beerd wtth the sounding of a reJIwarhing hand tha toother*' thick glasses clashing and ths burning *y** of lbs win* sparkl*. Thsrs he was, my poor strict father in tha huh of life. the manly friend****, his glass kjtl. His life was a short hrtch, and bstwssn its davbreeks and travel*. between arriving rust te run off again, on* day with heavier rain than others the conductor Jose del Car mey Reyes climbed aboard the train af death and te this day has not returned. Translated by Ernesto Trefo. VALUABLE COUPON k ^~\ ^a****** ~ ,mwi ~ (^nee Cneed PlZZA*"* Sandwiches PRESENTS CINDY WOODS SINGING YOUR FAVORITE SONGS EVERY WEDNESDAY THURSDAY FRIDAY 8:30 P.M. TIL MIDNIGHT ■ C O U P O Na*«"»"»«" 1 .■ WITH THIS AD 00 OFF ON ANY LARGE PIZZA ibj■ ■ ■■■■■C O U P O N-"""""« 50 <OFF ^^^ ' ON ANY MEDIUM PIZZA WITH THIS AO \&L COLD DRAFT BEER \jjitl Dining ft POOD TO GO JOIN THE GANG FOR AN EVENING OF FUN" P\_q<l* PlZZA*NoSandwiches \*r^!e*»***^2225 W. SHAW AVE. FRESNC 2225 W. SHAW AVE. FRESNO IN PICCADILLY SQUARE VALUABLE COUPON orraa axptstu jwsra so. isti
Object Description
Title | 1972_05 The Daily Collegian May 1972 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1972 |
Description | Daily (except weekends) during the school year. Microfilm. Palo Alto, Calif. |
Subject | California State University, Fresno -- Periodicals |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1, no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | May 23, 1972 Pg 5 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1972 |
Description | Daily (except weekends) during the school year. Microfilm. Palo Alto, Calif. |
Subject | California State University, Fresno -- Periodicals |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1, no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search |
Crespo: readings
Twmmdmy. Mmy 23. 1972 THE DAILY COLLEGIAN 3
(CoatiBesd from peg* 4)
bows*, which t* also a thing, aad
accumulates within It all Ms feel-
haa to solidary wtth a Mt of I
Ufe to Amsrica more thaa i
'Father' by Pablo Neruda
Wife tar has idesaxcsl sttitads. tsau the city, alwaya has hwxt read
After aU. tor tha Wife oaly the °Pen to leave, half ashamed, half
bedroom Is a symbol: To* waat Masefto. towards a heattle world
to wreck the aeaaar> Co ahead... that it to aeceeeery to coaossr.
Oaly, tf yoa wreck the bedroom, T*** world la the real enemy
you'll b* moving into the new Osw caa aay then that Taa .
ap*rtm*nt by yoaraelf.- For ths Wreckers* is the intuition of a j
iteebaag each corner, esck board n*01* "»*M ** committed idea I
ts, tor he says that he haa car- that has aot "solldlflad.1
rled Ms suffering around "from
room to room.* aaa r8exeats
respe< ' for the bedroom because
she Batata identified wtth it; for
ths sasxe reason be hates the satire hoses, reflection of Ma
world, of Ms life.
Here he la alienated. Here he
ls mistaken. Whsn a* take* ths
erne aad chops and chops like a
Th* following p
b byl>abtoN*nstotof«s*aia ret
Bare wakniias streagth that arise*
from tag depths of Ms being demanding dtgalty. Ms r to I ax ■ ■ to
domestic, particular, sad Ms
Mows destroy not toe worM that
mist res ted Mm bat Just s reflection of It. Perhaps he 1* satisfied, bat he toavee haa real world
aa It la. aad wtth a aew bxbbbb be
wiU oaly begin a aew cycle.
Nevertheless. Ms sttlkeds aad
hla rebellion say *ometxxng If
BMtow intend* to lllastrst* a
mor* gsxxeral f**ltng It 1* this: the
American man la aot aaaaxjr aad
be suits to d*mon*tr»t* tMs
violently. He begins by sat believing tn life Insurance aad ends
tepidly trying to destroy Ms post
ltfa. Air*
H* begins to a ^^^^^^^^
for Ms mtatortaxe. ttaat vasssr
social straetare which ta order
to aahanpliisaa Bara—s li, according to Sartre, the American
elttee begin being a project that
The Vietnamese arc people
A photo taken in 1968 show* a
Vietnamese woenan carrying her
baby outside th* village of Long
Co. 60 mil** north of Hue. Scenes
such aa these er* now *H too
frequent as the tragedy o» conflict
touches the lives of mor* and
more refugee*. Even a mother's
love cannot protect s child from
the savagery of war.
Not know* to At
trsaSBSrlBBB appeared, Mareas bee Iseaa a sxajar
Arasrteaa letter* tor toe last forty-five years. He aaa
with many eel
reallatlc. th* political, sad aa ths
intlmst* He I* th* latest recipient at toe Nobel Prise asr
The rough father return*
from his trsins:
at nioht we could
recognize
the whistle
of th* engine car
piercing the rain
with a roving howl,
a rejcturnal lament,
and then
the door that trembled:
th* wind in a flash
entered with my father
and between footsteps and li
the frightened doors
bangad with dry
firing of pistols.
the glaiila* eeal in Hs ftarnae* lerfecno,
ill of trtons to tha miat
, Tha rMlwaxrksr is a sailer on land
ijnleeshing nature,
performing it* torreetrtol ravtoation.
Whenever th* long trein r**ts
th* friends **ah*r,
the doers of my cn.ldhood east\
and a high pitched voice
scolded, bestiie,
while the stormy
shadow, the rain late a waterfall
streamed down the rooftop
drowning the world
little by little:
and nothing would be heard
but the wind fighting the r*m.
Nevertheless, he was sn early bird.
Captain of Ns trsin and of the cold d
and aa aeon as ths vague sun
rose, there was his beerd
wtth the sounding of a reJIwarhing hand
tha toother*' thick glasses clashing
and ths burning
*y** of lbs win*
sparkl*.
Thsrs he was, my poor strict father
in tha huh of life.
the manly friend****, his glass kjtl.
His life was a short hrtch,
and bstwssn its davbreeks and travel*.
between arriving rust te run off again,
on* day with heavier rain than others
the conductor Jose del Car mey Reyes
climbed aboard the train af death and te this
day has not returned.
Translated by Ernesto Trefo.
VALUABLE COUPON
k
^~\ ^a****** ~ ,mwi ~
(^nee Cneed PlZZA*"* Sandwiches
PRESENTS
CINDY WOODS
SINGING YOUR FAVORITE SONGS
EVERY WEDNESDAY THURSDAY FRIDAY
8:30 P.M. TIL MIDNIGHT
■ C O U P O Na*«"»"»«"
1
.■ WITH THIS AD
00 OFF
ON ANY LARGE
PIZZA
ibj■ ■ ■■■■■C O U P O N-"""""«
50
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