Oct 27, 1978 La Voz Pg. 2-3 |
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EDITOR S NOTE Ihe following stories were written by four La Voz de Aztlan staff reporters after going to Los Angeles to see Zoot Suit Each person was affected differently after seeing the play, but all agreed that it was one of the better experiences in their lives, something they would not lorget for a very long time What follows are per sonal accounts contributed by the four offering insight into what the play was about, who it was about, and the circumstances surrounding the action Actors Encourage Chicano Writing Talent By PEDRO RAMIREZ Usually, if someone attends a play at any theatrical house in the United States, the theme of the play does not center on Chicanos There have been a lew Chicano plays written and nci ( hi cano play has been premiered in a rii.iicir theater house except lor /out Portrayal of Woman wotf due to his uniform and some- useless to society Luis Valdez cap >s the true essence of the pachuco th |oey he portrays him as a funny v person who has a lot of emotion, acts tough and knows it and en- the respect he recieves, due to his h image Valdez depicts Joey as a not some crazy scoundrel," ss described in the lahst A person who cation through the or him The pachuco pride in what he is and seeks self- tication because he rebells again l,..rimv Mace, a native New Yorker id I ommy Roberts an Anglo pachuco i the play says he never heard of achucos "I heard about auditions for ie plav and it was there that pachuc- ino was introduced to me. I had to miiay a person who I never heard otA ml had tci speak a whole new different mguage Calo." said Mace Mace says thai Luis Valdez depicts •he pachuco or Chicano in a unique •ay He lets you know the real pro lems that Chicanos go through. 'I was jised m New York, with the Puerto nans, so the problems are similar.' Mace adds. 'I got a better perspective on what Chicano Life was. I got to get a look at the Family structure and ._, with problems. I was in- oduced to menudo and many other Mexican dishes Most importantly, I ot to know what pachucos were -tor. you would think that ward ot pachucos and knew irvis m general, but he hadl iroves that many people in society are never told who hicanos are in this system media and literature have Chicanos misleadingry but th /oot Suit and many other thai Chicanos are going to Characters Are Symbolic of Chlcanas BY MARGARITA MARTINEZ * the target of the crazed when Oella ia released from reform school a gent.e The diverse rote* they play In Zoot Suit are symbolic of all Ct-canas. During the zoot suit riots, women as well at w-siftfys- ga_*__ C*^BHflg Ib i gg amQttte It is only fitting that In tha play, Zoot Suit, woman play the courageous, Intall!- tolls Henry she loves' him, but is not willing to be stepped on. sntlal rote* they have played tt-ougfxxrt our history. she give* Hanry the ultimatum ol chooelny her or allco. As s'ie aponse, I feel what the mutt be feeling: suspense and fear of his Delia's relief, ha chootat her. . ... ..e plav Is DeiorasReyna Alloa Btoorrrfleld, It the "other woman*. Her relationship with the Henry'smother. She could bath* woman w* all know and love, our motner. She to be a special one (or Henry She loom I -lenry but she has to be ' helpetoaolldlfytitofarr-ly.Snahu-1_,_r~lapartrf sticking It out until tha victory prison. We can Identify with tha anguish she feels because our own mothers have Lupe Reyna, Henry's sister, can also be anyone of us. In her I car felt this pain either for our brothsrswhan they wore In trouble with the poiloe or for me. In on* particular scene, on a Saturday night she Is g*ttlng ready ■xjrsetves when we left horn* either to attend college, to be married or whatever father reprimand* her for wearing her skirt too short. In defense. I reason. She was a strong and courageous woman when she suffered. I cried, for In that Henry Is wearlno a zoot suit. Her father like many of our her, I saw my own mother. 'but he's a man*. I' m aura *»' ve alt heard that Una at one time or i Another character we can more closely identify with was Delia Barrios, Henry *t aver, our parents, being who they are, we have to quietly go along with girlfriend. She plays the role of a woman In leva. At first the appears subeervlent say. and the kind of woman almost every man awaits for: devoted and beautiful. Whan Tha other woman In tha play can be our frtendt, our sisters, or even Henrygoe*oMtoprt*on*heUdeapfyhiirt.Shatoaarttoarato-rawi^^ IJtoanyorie •**-», th*y-*Joyl»^ter*n^ thing hinders her drive to waft faithfully for Henry w ue raiM-U. Hanty, typfc-f 6f the boys Some ml.ht see them as cholas, rjar^ucasc^even-cfse-^PfT^ltirta*.' many men, falls for Anglo Alice BloomfWd, the executive e«*o-et_i7 of the defense the press billed them. But In them I saw the revolutlo.i_o zeal and eorri--Uttao,-iott»WnldfigofD-4la'ssa_riflc_if(rhl-n. Chlcan_ti-«vawhanflflMlrvjfortomathlngth--yballavaln. Americans At My House 0 -raeioc La]uraorsome long haired I Qtlltmto, mark: chick offering Us the world so she rt>uld write Her thesis. But my dismal world was so much brighter! My past was the old barn across ths canal a.iimade la comrade de ml grama. Chicano Play Goal: Re-identification of Pachuco l he pachuco stands center stage in ihe prestlgiuos Mark Taper Forum theater located in downtown Lot Angeles He runs his fingers slowly over his pencil thin moustache and then tilts his stylish hat over one eyebrow as he ••ves his audience with a defiant gaze Former Fresrlan and CSUF professor i uis Valdez beams silently to himself as he watches his creation come to life on stage Valdez is the author and director of the Zoot Suit Thirty-five years ago, the pachuco was not standing on a stage recreating his life to middle and upper-class audiences but was alive and living in the streets of downtown Los Angeles. last year, Valdez was asked to write a play for the theater and he immediately began work on his 10-year-old idea of a theatrical performance on the pachuco The play Zoot Suit then emerged as the first chicano play by a Chicano writer to perform at such a professional level of theater. Valdez is founder and director of El Teatro Campesino, a Chicano theater group which was first recognized for their performances stressing the causes of the farmworkers. Four members from El Teatro are currently involved in Zoot Suit. 'We (El Teatro) wanted to work on a new level of theater, even though our roots are In the barrio,' Valdez said. 'For 13 years we ■'-formed h» the barrio and with Zoot Suit we had.the opportunity to work at this new level of professionalism.' According to Valdez, the spirit of Zoot Suit was to make a professional production using professional actors and dancers. Alt the talent used in the play was not Chicano, 'There Isn't any level In American Society that we, as Chicanos, don't belong in. We are in a process of growth and we should expand to other levels of performance,' Valdez asserted. With the opportunity to direct and write a malar theatrical production, Valdez chose to focus on the pachuco of the barrios. Zoot Suit is based on the Sleepy Lagoon Murder Case of 1943 and the Zoot Suit Riots of the 1940' s The play Daniel Valdez. Luis' brother, plays scripts, letters and newspapers of the period. The Sleepy Lagoon case was a mass murder trial in Los Angeles In 1943 In which 17 Chicano youths were convicted of the murder of another Chicano youth. These convictions ultimatly led to increased tension between the barrios and the rest of Los Angeles which followed with the infamous Zoot Suit Riots. Chicano youth wearing a Zoot Suit were called Zoot Suiters and groups of white service men started a 'clean up' campaign to get these so-called Zoot Suiters off of the street. The Lo* Angeles City Council went so far as to proclaim anyone found wearing a Zoot Suit would be arrested and jailed for thirty days. 'I chose to write about Sleepy La- Zoot Suit. He actios Luis's feelings about the Chicano and pachuco Image. According to Daniel, Zoot Suit allows the audience to 'come inside Chicano reality.' 'The play goes through a re-identifi- cation of the pachuco image,' Daniel said. There is a distinct pride in Chicano culture and identity and this shows m the play.* According to Daniel, the pachuco is viewed by society as un-American -This is wrong,* he said, 'when the pachuco is more American than apple pie Itself." Daniel said Zoot Suit has accomplished Its goal of bringing out the reality that the pachuco is still alive 'He is still living m the streets of r barrio in the country,''* ,-tfjesaid. « express views on Zoot Suit being a world premiere In a prestigious setting as the Mark Taper Forum, and see that as the country got a negative image of the 35 years ago. It have been around for quite some time,* Valdezsaid. Valdez claims Zoot Suit has hit a sore Valdez is currently looking forward a furl-seal* production of Zoot Suit on is a ru dl view of the pachuco. •Most people didn't think of th* pachuco. Many Anglos are hearing him for the first Mm*,* Valdez said. There believe that Chicanos should register on this forum,' Luis said. 'It's also encouraging that three art • lot of producers in Hollywood that are interested in doing the film of Zoot Suit. *
Object Description
Title | 1978_10 The Daily Collegian October 1978 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1978 |
Description | Daily (except weekends) during the school year. Microfilm. Palo Alto, Calif. |
Subject | California State University, Fresno -- Periodicals |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1, no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | Oct 27, 1978 La Voz Pg. 2-3 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1978 |
Description | Daily (except weekends) during the school year. Microfilm. Palo Alto, Calif. |
Subject | California State University, Fresno -- Periodicals |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1, no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | EDITOR S NOTE Ihe following stories were written by four La Voz de Aztlan staff reporters after going to Los Angeles to see Zoot Suit Each person was affected differently after seeing the play, but all agreed that it was one of the better experiences in their lives, something they would not lorget for a very long time What follows are per sonal accounts contributed by the four offering insight into what the play was about, who it was about, and the circumstances surrounding the action Actors Encourage Chicano Writing Talent By PEDRO RAMIREZ Usually, if someone attends a play at any theatrical house in the United States, the theme of the play does not center on Chicanos There have been a lew Chicano plays written and nci ( hi cano play has been premiered in a rii.iicir theater house except lor /out Portrayal of Woman wotf due to his uniform and some- useless to society Luis Valdez cap >s the true essence of the pachuco th |oey he portrays him as a funny v person who has a lot of emotion, acts tough and knows it and en- the respect he recieves, due to his h image Valdez depicts Joey as a not some crazy scoundrel," ss described in the lahst A person who cation through the or him The pachuco pride in what he is and seeks self- tication because he rebells again l,..rimv Mace, a native New Yorker id I ommy Roberts an Anglo pachuco i the play says he never heard of achucos "I heard about auditions for ie plav and it was there that pachuc- ino was introduced to me. I had to miiay a person who I never heard otA ml had tci speak a whole new different mguage Calo." said Mace Mace says thai Luis Valdez depicts •he pachuco or Chicano in a unique •ay He lets you know the real pro lems that Chicanos go through. 'I was jised m New York, with the Puerto nans, so the problems are similar.' Mace adds. 'I got a better perspective on what Chicano Life was. I got to get a look at the Family structure and ._, with problems. I was in- oduced to menudo and many other Mexican dishes Most importantly, I ot to know what pachucos were -tor. you would think that ward ot pachucos and knew irvis m general, but he hadl iroves that many people in society are never told who hicanos are in this system media and literature have Chicanos misleadingry but th /oot Suit and many other thai Chicanos are going to Characters Are Symbolic of Chlcanas BY MARGARITA MARTINEZ * the target of the crazed when Oella ia released from reform school a gent.e The diverse rote* they play In Zoot Suit are symbolic of all Ct-canas. During the zoot suit riots, women as well at w-siftfys- ga_*__ C*^BHflg Ib i gg amQttte It is only fitting that In tha play, Zoot Suit, woman play the courageous, Intall!- tolls Henry she loves' him, but is not willing to be stepped on. sntlal rote* they have played tt-ougfxxrt our history. she give* Hanry the ultimatum ol chooelny her or allco. As s'ie aponse, I feel what the mutt be feeling: suspense and fear of his Delia's relief, ha chootat her. . ... ..e plav Is DeiorasReyna Alloa Btoorrrfleld, It the "other woman*. Her relationship with the Henry'smother. She could bath* woman w* all know and love, our motner. She to be a special one (or Henry She loom I -lenry but she has to be ' helpetoaolldlfytitofarr-ly.Snahu-1_,_r~lapartrf sticking It out until tha victory prison. We can Identify with tha anguish she feels because our own mothers have Lupe Reyna, Henry's sister, can also be anyone of us. In her I car felt this pain either for our brothsrswhan they wore In trouble with the poiloe or for me. In on* particular scene, on a Saturday night she Is g*ttlng ready ■xjrsetves when we left horn* either to attend college, to be married or whatever father reprimand* her for wearing her skirt too short. In defense. I reason. She was a strong and courageous woman when she suffered. I cried, for In that Henry Is wearlno a zoot suit. Her father like many of our her, I saw my own mother. 'but he's a man*. I' m aura *»' ve alt heard that Una at one time or i Another character we can more closely identify with was Delia Barrios, Henry *t aver, our parents, being who they are, we have to quietly go along with girlfriend. She plays the role of a woman In leva. At first the appears subeervlent say. and the kind of woman almost every man awaits for: devoted and beautiful. Whan Tha other woman In tha play can be our frtendt, our sisters, or even Henrygoe*oMtoprt*on*heUdeapfyhiirt.Shatoaarttoarato-rawi^^ IJtoanyorie •**-», th*y-*Joyl»^ter*n^ thing hinders her drive to waft faithfully for Henry w ue raiM-U. Hanty, typfc-f 6f the boys Some ml.ht see them as cholas, rjar^ucasc^even-cfse-^PfT^ltirta*.' many men, falls for Anglo Alice BloomfWd, the executive e«*o-et_i7 of the defense the press billed them. But In them I saw the revolutlo.i_o zeal and eorri--Uttao,-iott»WnldfigofD-4la'ssa_riflc_if(rhl-n. Chlcan_ti-«vawhanflflMlrvjfortomathlngth--yballavaln. Americans At My House 0 -raeioc La]uraorsome long haired I Qtlltmto, mark: chick offering Us the world so she rt>uld write Her thesis. But my dismal world was so much brighter! My past was the old barn across ths canal a.iimade la comrade de ml grama. Chicano Play Goal: Re-identification of Pachuco l he pachuco stands center stage in ihe prestlgiuos Mark Taper Forum theater located in downtown Lot Angeles He runs his fingers slowly over his pencil thin moustache and then tilts his stylish hat over one eyebrow as he ••ves his audience with a defiant gaze Former Fresrlan and CSUF professor i uis Valdez beams silently to himself as he watches his creation come to life on stage Valdez is the author and director of the Zoot Suit Thirty-five years ago, the pachuco was not standing on a stage recreating his life to middle and upper-class audiences but was alive and living in the streets of downtown Los Angeles. last year, Valdez was asked to write a play for the theater and he immediately began work on his 10-year-old idea of a theatrical performance on the pachuco The play Zoot Suit then emerged as the first chicano play by a Chicano writer to perform at such a professional level of theater. Valdez is founder and director of El Teatro Campesino, a Chicano theater group which was first recognized for their performances stressing the causes of the farmworkers. Four members from El Teatro are currently involved in Zoot Suit. 'We (El Teatro) wanted to work on a new level of theater, even though our roots are In the barrio,' Valdez said. 'For 13 years we ■'-formed h» the barrio and with Zoot Suit we had.the opportunity to work at this new level of professionalism.' According to Valdez, the spirit of Zoot Suit was to make a professional production using professional actors and dancers. Alt the talent used in the play was not Chicano, 'There Isn't any level In American Society that we, as Chicanos, don't belong in. We are in a process of growth and we should expand to other levels of performance,' Valdez asserted. With the opportunity to direct and write a malar theatrical production, Valdez chose to focus on the pachuco of the barrios. Zoot Suit is based on the Sleepy Lagoon Murder Case of 1943 and the Zoot Suit Riots of the 1940' s The play Daniel Valdez. Luis' brother, plays scripts, letters and newspapers of the period. The Sleepy Lagoon case was a mass murder trial in Los Angeles In 1943 In which 17 Chicano youths were convicted of the murder of another Chicano youth. These convictions ultimatly led to increased tension between the barrios and the rest of Los Angeles which followed with the infamous Zoot Suit Riots. Chicano youth wearing a Zoot Suit were called Zoot Suiters and groups of white service men started a 'clean up' campaign to get these so-called Zoot Suiters off of the street. The Lo* Angeles City Council went so far as to proclaim anyone found wearing a Zoot Suit would be arrested and jailed for thirty days. 'I chose to write about Sleepy La- Zoot Suit. He actios Luis's feelings about the Chicano and pachuco Image. According to Daniel, Zoot Suit allows the audience to 'come inside Chicano reality.' 'The play goes through a re-identifi- cation of the pachuco image,' Daniel said. There is a distinct pride in Chicano culture and identity and this shows m the play.* According to Daniel, the pachuco is viewed by society as un-American -This is wrong,* he said, 'when the pachuco is more American than apple pie Itself." Daniel said Zoot Suit has accomplished Its goal of bringing out the reality that the pachuco is still alive 'He is still living m the streets of r barrio in the country,''* ,-tfjesaid. « express views on Zoot Suit being a world premiere In a prestigious setting as the Mark Taper Forum, and see that as the country got a negative image of the 35 years ago. It have been around for quite some time,* Valdezsaid. Valdez claims Zoot Suit has hit a sore Valdez is currently looking forward a furl-seal* production of Zoot Suit on is a ru dl view of the pachuco. •Most people didn't think of th* pachuco. Many Anglos are hearing him for the first Mm*,* Valdez said. There believe that Chicanos should register on this forum,' Luis said. 'It's also encouraging that three art • lot of producers in Hollywood that are interested in doing the film of Zoot Suit. * |