Nov 1, 1974 Uhuru Pg. 1 |
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Dean Ford speaks out on Black studies and culture I believe In the whole concept of cultural plurality. Minority coalitions are essential. There needs to be dialogue between people who have common oppression. _Richard Fo^ (hfc ^ ^^ ^^ ofg^,,, WelAr, ^ ^ ^ ^_ Black dean at CSUF to UHURU Editor John Karlukl. Uhuru: Dean Ford, I'll start by asking you a rather basic ques¬ tion: You are the only Black dean on campus, how does It feel? Ford: Ah . . It feels k i of course Is that coming lnt< Institution takes a lot of learn how the syf That way you don't have much to make contacts with your col¬ leagues outside the school. We are a school that has been through a great deal of change at tbe graduate and undergraduate lev¬ els, trying to change the curricu¬ lum to a more professional de¬ gree. This has been quite a tire¬ some act and so one-doesn't have the time and opportunity to get lo know the other colleagues on a campus-wide basis. So one does feel a sense of Isolation at that. It ls not that people don't Uke you but you have to prove your¬ self and I Just haven't had the time to do that on a campus- wide basts. Most of tbe time has been confined to the School of Social Work. Uhuru: Does the fact that you are a minority make It a bit more difficult for you? (Continued on Page 3, Col. 1) DEAN RICHARD FORD SWRSSfittSS UHURU FRIDAY, NOVEMBER 1, 1974 Black Americans in the liberation movements of S. Africa By Connie Milliard The Black American is today caught up in a dilemma. He looks at his southern African brother with a peculiar brand of envy, as the latter's battleground is so well laid out on his turf, whether or not he individually chooses to fight. Vhen the FBI In a recent re- t lashed out at efforts to enlist US Blacks In a 'Pan-African volution'," lt laid bare a new d potentially devastating chal- nge to the American system, stng In the wake or the Black inther era, ghetto rebellions d black student confrontations, e concept ofrevolutlonaryPan- Afrlcanlsm — the unity of all African peopleu ratapulted thousands MARK TEEMER: ARTIST if you have been to the College Library any time this past week, might have seen a display of r color paintings to your left. protesting B ; paintings o by . The t to the st 1 Fresno State inlverslty graduate art student The purpose of the art display is an attempt to make students ■i ore conscious and responsible to the plight, of other Pan-African peoples throughout the world lo- lay. Only through this conscious¬ ness can Pan-African people be- t-ome responsible towards each nther regardless of our geo¬ graphical location, and unify our minds toward the solution of our related oppressions. The state of individual Identity and nationhood is oppressing within Itself to all Blacks on earth. If Black nations and peoples do not organize to help themselvesbefore 1980. then the systematic worldwide op¬ pression and genocide of Pan- African peoples will continue. . But, of course, there are more important viable immediate con¬ cerns to our survival.right here such as 'where Is the party at this weekend," and "where Is the grass,* probably In reverse or¬ der. What are your priorities? Wher*. are your priorities? Southern Africa. The Implications pierced the very marrow of America. The Black American Is today caught up in a dilemma. His mi¬ nority status In the bastion of Capitalism deprives him of even a land base to develop and thus control his own productive forces. That ls why he can and often does look at his southern brand of envy, as the latter's battle-ground Is so well laid out on his own turf, whether or not he Individually chooses to fight. But where lies the true mystique of southern Africa among the more than 30 million Blacks In Afro-America, at certain In¬ tervals In its stormy history and In recent times with Increasing frequency has turned to Africa, essentially, for a base of sup¬ port. The leader or the greatest with several thousand dollars worth of material. In a devas¬ tating prelude to coming events, this Afro-American group was arrested and deported on adlvce or the American government. The supplies and machinery were confiscated and later sold. Garvey's publication, Negro World, was .even banned In the French colonies and British West people here In order to build a the two; and once that line of r> perlal i. In History. Marcus Garvey, articu¬ lated to hundreds of thousands of American Blacks for the first time the theme of •Back-to- European Decades later, Malcolm X toured Africa during the national¬ ist campaigns which had brought African nations to political Inde¬ pendence. The explosive message he fcrought back to America pro¬ claimed: «We have to have the type of understand of Africa and the type of understanding of our from that day onwards.* During the Summer of 1971, a Black American advocate of Pan- Afrtcanlsm.Owusu Sadaukal, vis¬ ited the liberated areas of Mo¬ zambique and met with leaders of Frellmo. Those leaders.ex¬ pressed the need for a world¬ wide movement for peace ami freedom In support of the African liberation struggles. The result, a year later, was African Liber¬ ation Day, which drew together In Washington, D.C. more than 50,000 Black people demonstrat¬ ion tlnued on Page 4, Col.T)
Object Description
Title | 1974_11 The Daily Collegian November 1974 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1974 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | Nov 1, 1974 Uhuru Pg. 1 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1974 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | Dean Ford speaks out on Black studies and culture I believe In the whole concept of cultural plurality. Minority coalitions are essential. There needs to be dialogue between people who have common oppression. _Richard Fo^ (hfc ^ ^^ ^^ ofg^,,, WelAr, ^ ^ ^ ^_ Black dean at CSUF to UHURU Editor John Karlukl. Uhuru: Dean Ford, I'll start by asking you a rather basic ques¬ tion: You are the only Black dean on campus, how does It feel? Ford: Ah . . It feels k i of course Is that coming lnt< Institution takes a lot of learn how the syf That way you don't have much to make contacts with your col¬ leagues outside the school. We are a school that has been through a great deal of change at tbe graduate and undergraduate lev¬ els, trying to change the curricu¬ lum to a more professional de¬ gree. This has been quite a tire¬ some act and so one-doesn't have the time and opportunity to get lo know the other colleagues on a campus-wide basis. So one does feel a sense of Isolation at that. It ls not that people don't Uke you but you have to prove your¬ self and I Just haven't had the time to do that on a campus- wide basts. Most of tbe time has been confined to the School of Social Work. Uhuru: Does the fact that you are a minority make It a bit more difficult for you? (Continued on Page 3, Col. 1) DEAN RICHARD FORD SWRSSfittSS UHURU FRIDAY, NOVEMBER 1, 1974 Black Americans in the liberation movements of S. Africa By Connie Milliard The Black American is today caught up in a dilemma. He looks at his southern African brother with a peculiar brand of envy, as the latter's battleground is so well laid out on his turf, whether or not he individually chooses to fight. Vhen the FBI In a recent re- t lashed out at efforts to enlist US Blacks In a 'Pan-African volution'," lt laid bare a new d potentially devastating chal- nge to the American system, stng In the wake or the Black inther era, ghetto rebellions d black student confrontations, e concept ofrevolutlonaryPan- Afrlcanlsm — the unity of all African peopleu ratapulted thousands MARK TEEMER: ARTIST if you have been to the College Library any time this past week, might have seen a display of r color paintings to your left. protesting B ; paintings o by . The t to the st 1 Fresno State inlverslty graduate art student The purpose of the art display is an attempt to make students ■i ore conscious and responsible to the plight, of other Pan-African peoples throughout the world lo- lay. Only through this conscious¬ ness can Pan-African people be- t-ome responsible towards each nther regardless of our geo¬ graphical location, and unify our minds toward the solution of our related oppressions. The state of individual Identity and nationhood is oppressing within Itself to all Blacks on earth. If Black nations and peoples do not organize to help themselvesbefore 1980. then the systematic worldwide op¬ pression and genocide of Pan- African peoples will continue. . But, of course, there are more important viable immediate con¬ cerns to our survival.right here such as 'where Is the party at this weekend," and "where Is the grass,* probably In reverse or¬ der. What are your priorities? Wher*. are your priorities? Southern Africa. The Implications pierced the very marrow of America. The Black American Is today caught up in a dilemma. His mi¬ nority status In the bastion of Capitalism deprives him of even a land base to develop and thus control his own productive forces. That ls why he can and often does look at his southern brand of envy, as the latter's battle-ground Is so well laid out on his own turf, whether or not he Individually chooses to fight. But where lies the true mystique of southern Africa among the more than 30 million Blacks In Afro-America, at certain In¬ tervals In its stormy history and In recent times with Increasing frequency has turned to Africa, essentially, for a base of sup¬ port. The leader or the greatest with several thousand dollars worth of material. In a devas¬ tating prelude to coming events, this Afro-American group was arrested and deported on adlvce or the American government. The supplies and machinery were confiscated and later sold. Garvey's publication, Negro World, was .even banned In the French colonies and British West people here In order to build a the two; and once that line of r> perlal i. In History. Marcus Garvey, articu¬ lated to hundreds of thousands of American Blacks for the first time the theme of •Back-to- European Decades later, Malcolm X toured Africa during the national¬ ist campaigns which had brought African nations to political Inde¬ pendence. The explosive message he fcrought back to America pro¬ claimed: «We have to have the type of understand of Africa and the type of understanding of our from that day onwards.* During the Summer of 1971, a Black American advocate of Pan- Afrtcanlsm.Owusu Sadaukal, vis¬ ited the liberated areas of Mo¬ zambique and met with leaders of Frellmo. Those leaders.ex¬ pressed the need for a world¬ wide movement for peace ami freedom In support of the African liberation struggles. The result, a year later, was African Liber¬ ation Day, which drew together In Washington, D.C. more than 50,000 Black people demonstrat¬ ion tlnued on Page 4, Col.T) |