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^Friday, Jan.30.,1987. Page 4 s -> - Face to face with the past GnmUoem/TtmCMJyCDiogmn Reconstructing faces from the past is the specialty of CSUF senbr Laura Trainer. Trainer has been studying facial reconstruction for two years. By Paul Worthington StaffWriter \ Most of us are somewhat squeamish about handling skulls, but for one CSUF student they can reveal the appearance of a person, whether for history or the police. Microbiology major Laura Trainer can reconstruct the face of a dead person by working with just a skull some basic materials, and a great deal of anatomical knowledge. The student learns a lot about facial structure, looking very carefully at how tissues are put together," said CSUF Professor Roger LaJeunesse who Trainer works with. "I learned a lot myself." There is no class," Trainer said. "I just said. Hey, I'm interested in this.' I don't get units or credit for this. I'm doing it on Microbiology student learns facial reconstruction Her work with LaJeunesse is an apprenticeship, "one on one with no one else involved," she said. The techniques are derived from work done in autopsies and the construction of the face that is revealed as it is taken apart, LaJeunesse said. The techniques "allow us to control our guesses as to what people look like." The facial reconstructions are not made on the aaaal skull* and a mold of it must first be made. Trainer said the begins by filling in all the orifices in the skull: the around the skull to catch any excess latex, which she brushes over the head. Next she adds a platter backing to the latex, and the negative mold is then removed. A dental stone skull is then cast in the latex mold. "You can get everything at the hobby store," Trainer said of her materials, "except the eyes." And the skull, of course. The eyes she uses are actual prosthetics rejected because of incorrect color by the people for which they are made. One woman who makes them gives them to the school for a tax write-off. Trainer said. "LaJeunesse has a set of brown ones, and I have a set of blue ones'. "Flesh has different depth throughout the face," Trainer said. General statistical data is used to estimate the thickness of the 'flesh' to be applied, based on age, race, and sex. all which can be determined from the skull "Depth indicators" (actually rubber erasers measured out in millimeters) are then placed over the head, and plastacine clay is then lumped on up to die height of the indicators. "Just connect die dots and fill it up," Trainer said. This part sounds like anyone could do it, but "then it gets tricky." The clay is smoothed out, and a lump is added on for the nose. The prosthetic eyes are added. 'The color is generally determined by race, but you can really tell from the date I have," she said. She then molds and cats around the eyes and arises. "I spend a lot of time looking at . different peoples' eyes and noses to see how they're structured." A line is extrapolated from the bridge to the base for the nose, which "is pretty much guess work," Trainer said. As a nose is made of cartilage, there is no evidence of, its shape left on the skull, so a general shape is given. Trainer said that the nose really does not have as much to do with the look of a person as one might think. For die finishing touches, eyelashes are added and die eyes are alined properly. It gives him that eerie glow, like he's looking at you," she said. In actual police work Trainer said reconstruction is done from complete or partial skulls to identify a body. "Posters are sent to cities where it's possible the person has disappeared from, and maybe relatives can identify it. The finished skull won't be exactly like a photograph, but pretty darn near so that you can't mistake it." "I have friends who have done these jobs and identification has been made," LaJeunesse said. The resemblance is quite good. The sculpture looked pretty damn close to the person they were looking far." Trainer said at least one other student is now interested in facial irnxmsuuction, hot if others want to get into it they must first have die necessary background in biochemistry, anatomy and physiology." Interest is not enough, she said. Trainer started two years ago when an interest in the TV show "Quincy" (about a forensic police researcher) and the Joseph Mengele case (where the remains of the Nazi war criminal were examined for positive identification) led into a conversation with her biochemistry professor. Dr. Story. He recommended she speak with LaJeunesse. '1 think she has a talent," LaJeunesse said. "She's learned much of this on her own - I've shown her very little. The effort she's put into it is quite commendable." Trainer plans to graduate with a degree in microbiology, but is also taking classes in criminology, anthropology, and forensic medicine. CSUF does not offer the degree in criminalistics she wants for her chosen goal of working in the F.B.I. forensic lab, "the biggest in the world," she said. She is already in "the final stages" of being hired by the Fresno Police Department and is now on leave from the State Center Police Academy, where she spent six weeks last f all. The majority of the work she expects to do in her career will be biochemical work - identifying blood types, bullets to weapons, and hair follicles. "I don't expect to do this (fscial reconstruction) often." "For her it's an exercise in anatomy, in how bone and facial tissues relate, comparative anatomy," LaJeunesse said "In die history of fossil man you find skulls and you want to know what they looked like. It's a more satisfying picture than an artists two
Object Description
Title | 1987_01 The Daily Collegian January 1987 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1987 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | January 30, 1987, Page 4 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1987 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | ^Friday, Jan.30.,1987. Page 4 s -> - Face to face with the past GnmUoem/TtmCMJyCDiogmn Reconstructing faces from the past is the specialty of CSUF senbr Laura Trainer. Trainer has been studying facial reconstruction for two years. By Paul Worthington StaffWriter \ Most of us are somewhat squeamish about handling skulls, but for one CSUF student they can reveal the appearance of a person, whether for history or the police. Microbiology major Laura Trainer can reconstruct the face of a dead person by working with just a skull some basic materials, and a great deal of anatomical knowledge. The student learns a lot about facial structure, looking very carefully at how tissues are put together," said CSUF Professor Roger LaJeunesse who Trainer works with. "I learned a lot myself." There is no class," Trainer said. "I just said. Hey, I'm interested in this.' I don't get units or credit for this. I'm doing it on Microbiology student learns facial reconstruction Her work with LaJeunesse is an apprenticeship, "one on one with no one else involved," she said. The techniques are derived from work done in autopsies and the construction of the face that is revealed as it is taken apart, LaJeunesse said. The techniques "allow us to control our guesses as to what people look like." The facial reconstructions are not made on the aaaal skull* and a mold of it must first be made. Trainer said the begins by filling in all the orifices in the skull: the around the skull to catch any excess latex, which she brushes over the head. Next she adds a platter backing to the latex, and the negative mold is then removed. A dental stone skull is then cast in the latex mold. "You can get everything at the hobby store," Trainer said of her materials, "except the eyes." And the skull, of course. The eyes she uses are actual prosthetics rejected because of incorrect color by the people for which they are made. One woman who makes them gives them to the school for a tax write-off. Trainer said. "LaJeunesse has a set of brown ones, and I have a set of blue ones'. "Flesh has different depth throughout the face," Trainer said. General statistical data is used to estimate the thickness of the 'flesh' to be applied, based on age, race, and sex. all which can be determined from the skull "Depth indicators" (actually rubber erasers measured out in millimeters) are then placed over the head, and plastacine clay is then lumped on up to die height of the indicators. "Just connect die dots and fill it up," Trainer said. This part sounds like anyone could do it, but "then it gets tricky." The clay is smoothed out, and a lump is added on for the nose. The prosthetic eyes are added. 'The color is generally determined by race, but you can really tell from the date I have," she said. She then molds and cats around the eyes and arises. "I spend a lot of time looking at . different peoples' eyes and noses to see how they're structured." A line is extrapolated from the bridge to the base for the nose, which "is pretty much guess work," Trainer said. As a nose is made of cartilage, there is no evidence of, its shape left on the skull, so a general shape is given. Trainer said that the nose really does not have as much to do with the look of a person as one might think. For die finishing touches, eyelashes are added and die eyes are alined properly. It gives him that eerie glow, like he's looking at you," she said. In actual police work Trainer said reconstruction is done from complete or partial skulls to identify a body. "Posters are sent to cities where it's possible the person has disappeared from, and maybe relatives can identify it. The finished skull won't be exactly like a photograph, but pretty darn near so that you can't mistake it." "I have friends who have done these jobs and identification has been made," LaJeunesse said. The resemblance is quite good. The sculpture looked pretty damn close to the person they were looking far." Trainer said at least one other student is now interested in facial irnxmsuuction, hot if others want to get into it they must first have die necessary background in biochemistry, anatomy and physiology." Interest is not enough, she said. Trainer started two years ago when an interest in the TV show "Quincy" (about a forensic police researcher) and the Joseph Mengele case (where the remains of the Nazi war criminal were examined for positive identification) led into a conversation with her biochemistry professor. Dr. Story. He recommended she speak with LaJeunesse. '1 think she has a talent," LaJeunesse said. "She's learned much of this on her own - I've shown her very little. The effort she's put into it is quite commendable." Trainer plans to graduate with a degree in microbiology, but is also taking classes in criminology, anthropology, and forensic medicine. CSUF does not offer the degree in criminalistics she wants for her chosen goal of working in the F.B.I. forensic lab, "the biggest in the world," she said. She is already in "the final stages" of being hired by the Fresno Police Department and is now on leave from the State Center Police Academy, where she spent six weeks last f all. The majority of the work she expects to do in her career will be biochemical work - identifying blood types, bullets to weapons, and hair follicles. "I don't expect to do this (fscial reconstruction) often." "For her it's an exercise in anatomy, in how bone and facial tissues relate, comparative anatomy," LaJeunesse said "In die history of fossil man you find skulls and you want to know what they looked like. It's a more satisfying picture than an artists two |