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Timeout THE DAILY COLLEGIAN Tuesday, October 7,1997 'George of the Jungle' can't hold a candle to classics like 'Citizen' By Jeff Criesi Once again I was sitting in front of the television and happened to stop upon a program discussing this year's movies. One section of the show was comprised of sleeper hits- those movies that made money without a lot of fanfare. Everything was going allright until the announcer declared that "George of the Jungle" has grossed over $100 million. Never mind the people who wrote the movie. Forget the direc¬ tor and the hundreds of crew mem¬ bers behind the scenes. Overlook the actors and actresses plastered upon the screen. All of these people I can forgive; they were in it solely for the money and nothing else. The public is who I cannot forgive. I didn't sec "George of the Jungle.""I don't have to waste seven dollars to prove that it was a bad movie. Do you have to step in a dog turd to prove that your shoe yfi\\ smell? Apparently for a lot of people the answer is yes. The demographics don't matter. I realize that the producers geared this film towards ft younger audi¬ ence, but the clips I saw couldn't possibly appeal to small children (or anyone else for that matter). This movie wasn't'a comedy, it was a joke Unfortunately the punchline- is $100 million dollars. This article isn't intended to rip apart this poor movie. There have been many worse before it and I'm sure that many worse are still wait¬ ing to be made. I'm writing this as part of my ongoing campaign to wake the public from its cinematic coma. I have no idea what the common man considers a good movie to be. I'm afraid that commercial suc¬ cesses like "Face Off and "Broken Arrow" might be their response. I choose two John Woo flicks to fur¬ ther prove my point. Anyone who has seen his Hong Kong work will surely note the superiority over his American endeavors. Unfortu¬ nately, many have never seen them .nor heard of them. The reason: money. Hollywood tells you what you should and shouldn't want to see The amount of advertising they spend on a film directly relates to its box office gross. The more com¬ mercials that appear on the set, the rnore likely you are to go see it. That is not the way things should be done. Most studios churn out com¬ plete garbage. Their movies have the stars and the special effects, but that isn't enough. The majority of movies today forget to write a script. Words arc the heart of any gcxKl film, and .that is why there are no more goods films today. Do me and yourself a favor-go out and rent an older movie. See a Hitchcock classic like "Vertigo," or a chilling masterpiece like "Rosemary's Baby." Experience the subtle beauty of cinematography with "A Clockwork Orange." or the overall package with "The Good, the Bad. and the Ugly." These are what good movies should be. They grab onto your throat and keep you locked in for a two hour roller coaster. They don't waste your time with blue screen effects or point¬ less explosions. They just give it everything they have to whomever will watch. Movies' used to be good. Con¬ sider that "Citizen Kane" recog¬ nized as the greatest movie of all time, was made in 1941. 56 years ago. and it truly is one of the. best movies I've ever seen. It's lime we demand more from our movies. We've let the Hollywood machine feed us empty dishes for far too long. Do^ome research on movies. Find out about Kubrick, Leone, Polanski. These men and more have made the greatest movies of all lime. How many have you seen? Save your seven dollars and head to the video store to check out a classic. You'll thank me later. ACROSS 1 Long spar on a ship 5 Weeds 10 Chair 14 Bfosd expanse 15 Far loo heavy 16 English composer 17 News bri 18 Psrcerve 19 Telephone connection 20 Attack verbally 22 Steepfd 24 Regrets 25 Worti the land 26 Bodes of water 29 Most ribald 33 intended 34 Famed lover 3S*Ra*Asot Costello 36 Brink 3T Used needle a>»d thread 38 Substantive 39 Meas. of capacity 40 Sober 41 Lot slip 42 Distance-dialing requirement 44 Embarkments 45 Diversity 46 Anderson ot TV 47 Change tor the better bO Disparage 54 Freshly 55 Great epc poem 57 Sood appendage 58 Airborne speck 59 Scandnavian 60 Men at sea 61 Luge 62 Like a walled city 63 Gen. Robert — DOWN 1 Clear water from a boat 2 Eight: prcf. 3 City in Utah 4 Layer of tissue Quasimodo and his crew delight Satellite Student Union audiences By David Childers The Daily Collegian So, it's almost 4.000 miles off Broadway, but you have to admire an eight-person crew that is "totally self contained." There are no roadies, no light¬ ing technicians and no make-up art¬ ists. Just six performers and two producers/assistants. But that didn't stop the "Children's Storybook Theater" from putting on two ex¬ cellent showings of "The Hunch¬ back of Notre Dame" Monday in the Satellite Student Union. The Hunchback was the first event of the L' Art du Jour series on campus. And with all due respect to the future performers, none will probably be as amazing as what fans saw Monday. The first show, in the afternoon, was played before a mostly "daycare" audience from the Cam¬ pus Children's Center. The center brought over about 50 youngsters of pre-school |gc to see, Quasimodo, but this was no Disney cartoon they were viewing. The show was concise, about 55 minutes and it was every bit of what the little one$,could handle. To their credit - or more aptly to the credit of the many chaperones - the kids pulled off a pretty remarkable per¬ formance themselves by keeping their composure, for the most part, throughout the show. The action on stage was whim¬ sical. With jusf six performers and no set changes, the performers kept the pace of the show going at an admirable pace. There were jokes, even though most of the four-year olds couldn't grasp them, that kept the smiles on the faces of the oth¬ ers in attendance. Because the themes of the show were much darker and more mature than the Disney offering that was one of last summer's blockbusters, the. interaction was Tow in the early show. But that changed quickly that evening. The evening show was not only filled near capacity, but the crowd was a lively mix of adolescents and adults. They not only were able to 1 P Is I4 kW I4 I7 I1 I9 h r I1* ln 1 14 1 '' I'6 17 H14 1 1" 20 EH Hr3 PM 38 |^B*M IB^ ■M" im "MP 47 |4« 140 1 ^■soi 151 IS2 ISO I I rLl M 111 61 I M ■" I I I I*3 I 5 Prepares a salad 6 Furthers 7 Descartes or Cofy 8 A letter . 9 Moved up and down 10 Meat for sandwiches 11 Estrada 12 English quocn 13 — off (angry) 21 A relation 23 Church calendar 25 Known widely and well 26 Last letter 27 Fragrant wood 28,8o»f score 29 Kind of knife 30 Run oft to marry 31 Drunken one 32 Melodies 34 Prepared 37 In a violent rage 38 Steer alahlaMo; s u V ill 3 ilvjoHa 3 1 6 slu O nH]J. O N r Trlr Vll TiTTMm 3 N V IK NO t! Ia| u i v IaJH^ 1 .a;s|d vhjlali kUki(i voj no illoli i«jo[u||T[n v 3In 1 S 3 O M viattsiNjv^ oioj nana nnnn nrjrjana nnnnnncn s^NMTTBa. sTNJ3JsHll|li±l 1 3:n|u [vHl - 7 - ^Hs s sjajoHaju o* 3!d[v"|iH".° o.a] 40 Wounds 48 Organc aftermath compound 41 Jay of TV 49 Elaborate pany 43 Declared 50 Grime 44 — over (put on 51 Salt Lake in Asia airs) 52 Make weary 46 Certain contract 53 If not 47 Butts 56 Mauna — understand, but they were able to appreciate the jokes and immense talents of the performers. The show was much more en¬ thusiastic, as the crowd got more personally involved. The short mu¬ sical was a rousing success and the performers spent a great deal of time in the lobby after the show signing autographs and greeting satisfied customers. The most moving performance was Tamara Davissi as the enchant¬ ing Esmcrclda. Davissi played the role to near perfection. She tanta¬ lized with her dance and voice and grasped the crowd with her glow¬ ing eyes. Early on it is easy to ap¬ preciate the real-life gypsy qualities of Davissi as she commands the Pleas* see HUGO, page 4. Advertise in The Daily Collegian 278-5731 |—USU PRODUCTIONS—i PRESENTS SIERRA SUMMIT SKI AREA P. O. BOX 236 LAKESHORE, CA 93634 Located in the Sierra National Forest is accepting seasonal winter applications. Large variety of fun jobs need to be filled. Please stop by our booth on October 8th or call for an application. (209) 233-2500 E.O.E. THE HEADS vs THE FEDS Thursday, October 9,1997 7pm Upstairs Cafeteria Fresno State Students S2, All other students S3 (with valid student ID) I $5 Multicultural Night performance applications due by November 17 at the USU Information Center Co sponsored by Epsilon SJgrpa Rho and supported in part with funds from the USlTs Diversity Aw Homecoming '97 Showin' off the Dogs October 25, 1997 pick up a parade entry form from the USU information Center. For mora information, piutt call I7S-1741
Object Description
Title | 1997_10 The Daily Collegian October 1997 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1997 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | October 7, 1997, Page 3 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1997 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | Timeout THE DAILY COLLEGIAN Tuesday, October 7,1997 'George of the Jungle' can't hold a candle to classics like 'Citizen' By Jeff Criesi Once again I was sitting in front of the television and happened to stop upon a program discussing this year's movies. One section of the show was comprised of sleeper hits- those movies that made money without a lot of fanfare. Everything was going allright until the announcer declared that "George of the Jungle" has grossed over $100 million. Never mind the people who wrote the movie. Forget the direc¬ tor and the hundreds of crew mem¬ bers behind the scenes. Overlook the actors and actresses plastered upon the screen. All of these people I can forgive; they were in it solely for the money and nothing else. The public is who I cannot forgive. I didn't sec "George of the Jungle.""I don't have to waste seven dollars to prove that it was a bad movie. Do you have to step in a dog turd to prove that your shoe yfi\\ smell? Apparently for a lot of people the answer is yes. The demographics don't matter. I realize that the producers geared this film towards ft younger audi¬ ence, but the clips I saw couldn't possibly appeal to small children (or anyone else for that matter). This movie wasn't'a comedy, it was a joke Unfortunately the punchline- is $100 million dollars. This article isn't intended to rip apart this poor movie. There have been many worse before it and I'm sure that many worse are still wait¬ ing to be made. I'm writing this as part of my ongoing campaign to wake the public from its cinematic coma. I have no idea what the common man considers a good movie to be. I'm afraid that commercial suc¬ cesses like "Face Off and "Broken Arrow" might be their response. I choose two John Woo flicks to fur¬ ther prove my point. Anyone who has seen his Hong Kong work will surely note the superiority over his American endeavors. Unfortu¬ nately, many have never seen them .nor heard of them. The reason: money. Hollywood tells you what you should and shouldn't want to see The amount of advertising they spend on a film directly relates to its box office gross. The more com¬ mercials that appear on the set, the rnore likely you are to go see it. That is not the way things should be done. Most studios churn out com¬ plete garbage. Their movies have the stars and the special effects, but that isn't enough. The majority of movies today forget to write a script. Words arc the heart of any gcxKl film, and .that is why there are no more goods films today. Do me and yourself a favor-go out and rent an older movie. See a Hitchcock classic like "Vertigo," or a chilling masterpiece like "Rosemary's Baby." Experience the subtle beauty of cinematography with "A Clockwork Orange." or the overall package with "The Good, the Bad. and the Ugly." These are what good movies should be. They grab onto your throat and keep you locked in for a two hour roller coaster. They don't waste your time with blue screen effects or point¬ less explosions. They just give it everything they have to whomever will watch. Movies' used to be good. Con¬ sider that "Citizen Kane" recog¬ nized as the greatest movie of all time, was made in 1941. 56 years ago. and it truly is one of the. best movies I've ever seen. It's lime we demand more from our movies. We've let the Hollywood machine feed us empty dishes for far too long. Do^ome research on movies. Find out about Kubrick, Leone, Polanski. These men and more have made the greatest movies of all lime. How many have you seen? Save your seven dollars and head to the video store to check out a classic. You'll thank me later. ACROSS 1 Long spar on a ship 5 Weeds 10 Chair 14 Bfosd expanse 15 Far loo heavy 16 English composer 17 News bri 18 Psrcerve 19 Telephone connection 20 Attack verbally 22 Steepfd 24 Regrets 25 Worti the land 26 Bodes of water 29 Most ribald 33 intended 34 Famed lover 3S*Ra*Asot Costello 36 Brink 3T Used needle a>»d thread 38 Substantive 39 Meas. of capacity 40 Sober 41 Lot slip 42 Distance-dialing requirement 44 Embarkments 45 Diversity 46 Anderson ot TV 47 Change tor the better bO Disparage 54 Freshly 55 Great epc poem 57 Sood appendage 58 Airborne speck 59 Scandnavian 60 Men at sea 61 Luge 62 Like a walled city 63 Gen. Robert — DOWN 1 Clear water from a boat 2 Eight: prcf. 3 City in Utah 4 Layer of tissue Quasimodo and his crew delight Satellite Student Union audiences By David Childers The Daily Collegian So, it's almost 4.000 miles off Broadway, but you have to admire an eight-person crew that is "totally self contained." There are no roadies, no light¬ ing technicians and no make-up art¬ ists. Just six performers and two producers/assistants. But that didn't stop the "Children's Storybook Theater" from putting on two ex¬ cellent showings of "The Hunch¬ back of Notre Dame" Monday in the Satellite Student Union. The Hunchback was the first event of the L' Art du Jour series on campus. And with all due respect to the future performers, none will probably be as amazing as what fans saw Monday. The first show, in the afternoon, was played before a mostly "daycare" audience from the Cam¬ pus Children's Center. The center brought over about 50 youngsters of pre-school |gc to see, Quasimodo, but this was no Disney cartoon they were viewing. The show was concise, about 55 minutes and it was every bit of what the little one$,could handle. To their credit - or more aptly to the credit of the many chaperones - the kids pulled off a pretty remarkable per¬ formance themselves by keeping their composure, for the most part, throughout the show. The action on stage was whim¬ sical. With jusf six performers and no set changes, the performers kept the pace of the show going at an admirable pace. There were jokes, even though most of the four-year olds couldn't grasp them, that kept the smiles on the faces of the oth¬ ers in attendance. Because the themes of the show were much darker and more mature than the Disney offering that was one of last summer's blockbusters, the. interaction was Tow in the early show. But that changed quickly that evening. The evening show was not only filled near capacity, but the crowd was a lively mix of adolescents and adults. They not only were able to 1 P Is I4 kW I4 I7 I1 I9 h r I1* ln 1 14 1 '' I'6 17 H14 1 1" 20 EH Hr3 PM 38 |^B*M IB^ ■M" im "MP 47 |4« 140 1 ^■soi 151 IS2 ISO I I rLl M 111 61 I M ■" I I I I*3 I 5 Prepares a salad 6 Furthers 7 Descartes or Cofy 8 A letter . 9 Moved up and down 10 Meat for sandwiches 11 Estrada 12 English quocn 13 — off (angry) 21 A relation 23 Church calendar 25 Known widely and well 26 Last letter 27 Fragrant wood 28,8o»f score 29 Kind of knife 30 Run oft to marry 31 Drunken one 32 Melodies 34 Prepared 37 In a violent rage 38 Steer alahlaMo; s u V ill 3 ilvjoHa 3 1 6 slu O nH]J. O N r Trlr Vll TiTTMm 3 N V IK NO t! Ia| u i v IaJH^ 1 .a;s|d vhjlali kUki(i voj no illoli i«jo[u||T[n v 3In 1 S 3 O M viattsiNjv^ oioj nana nnnn nrjrjana nnnnnncn s^NMTTBa. sTNJ3JsHll|li±l 1 3:n|u [vHl - 7 - ^Hs s sjajoHaju o* 3!d[v"|iH".° o.a] 40 Wounds 48 Organc aftermath compound 41 Jay of TV 49 Elaborate pany 43 Declared 50 Grime 44 — over (put on 51 Salt Lake in Asia airs) 52 Make weary 46 Certain contract 53 If not 47 Butts 56 Mauna — understand, but they were able to appreciate the jokes and immense talents of the performers. The show was much more en¬ thusiastic, as the crowd got more personally involved. The short mu¬ sical was a rousing success and the performers spent a great deal of time in the lobby after the show signing autographs and greeting satisfied customers. The most moving performance was Tamara Davissi as the enchant¬ ing Esmcrclda. Davissi played the role to near perfection. She tanta¬ lized with her dance and voice and grasped the crowd with her glow¬ ing eyes. Early on it is easy to ap¬ preciate the real-life gypsy qualities of Davissi as she commands the Pleas* see HUGO, page 4. Advertise in The Daily Collegian 278-5731 |—USU PRODUCTIONS—i PRESENTS SIERRA SUMMIT SKI AREA P. O. BOX 236 LAKESHORE, CA 93634 Located in the Sierra National Forest is accepting seasonal winter applications. Large variety of fun jobs need to be filled. Please stop by our booth on October 8th or call for an application. (209) 233-2500 E.O.E. THE HEADS vs THE FEDS Thursday, October 9,1997 7pm Upstairs Cafeteria Fresno State Students S2, All other students S3 (with valid student ID) I $5 Multicultural Night performance applications due by November 17 at the USU Information Center Co sponsored by Epsilon SJgrpa Rho and supported in part with funds from the USlTs Diversity Aw Homecoming '97 Showin' off the Dogs October 25, 1997 pick up a parade entry form from the USU information Center. For mora information, piutt call I7S-1741 |