May 1, 1992, Artspeak Page 2 |
Previous | 10 of 120 | Next |
|
|
This page
All
|
Loading content ...
Mayl,1992 ArtSpeak Soup Dragons stay true to roots By Doug McLeod Artspeak Staff The latest release, Hot- wired L from the Scottish band the Soup Dragons, musically doesn't advance Itself much past the group's second release of two years ago, Lovegod. But what the third al¬ bum from vocalist/ guitarist Sean Dickson, guitarist Jim McCullogh, bassist Sushi 1 Dade and drummer Paul Quinn does accomplish is to es¬ tablish the cult following of the band. Part of the second United Kingdom invasion of the WS^s, the Soup Dragons are by far the least known of many "popular" Scottish/Irish/ English bands that.have hit it big. — Bands such as U2, the Hothouse Flowers, Jesus Jones and EMF have all accomplished wider com¬ mercial success, but the Soup Dragons are one of the few who have stayed true to their musical roots. The Soup Dragons were formed in Glasgow Scotland in 1985 and toiled in their native country for two years before hitting it big in the U.K. with their first single, the independently re¬ leased "Whole Wide World". Their success garnered them a recording contract with Sire Records, but after recording an EP of their independently re¬ corded singles entitled Hang Ten and their well- * received debut LP in 1987, This Is Our Art, the band left Sire for more creative control over their music. What followed was the breakthrough released that made the Soup Dragons a cult hit; the. • album Lovegod and the hit alternative singles "I'm Free" and "Mother Uni¬ verse", which propelled the album to gold status in Billboard Magazine. Hotwired, the follow- up to Lovegod, further illustrates the Soup Drag¬ ons' penchant for writing interesting, if not catchy music. The 12-song album is mote reminiscent of the Clash rather than the over-produced sound of Jesus Jones and more directly, EMF. Singles such as "Pleas¬ ure" and "Running Wild" expose the listener to a surprisingly bluesy side to the Soup Dragons, while maintaining a "modern rock" feel about them. The almost psyche¬ delic sound of the aptly titled singles "Getting Down" and "Dream On" immediately reminds one of Jimi Hendrix. \ The hauntingly vast sound of the ne w a ge-ish "Forever Yesterday", com¬ plete with the old Star Trek sound effects (which work surprisingly well), makes the album Hotwired an experience that any alternative music fan should not miss. PKtMNTi l>.-«^: 07 Troun. MM* Mm Ruten Boiling WW! D HC*6 Tt«AW^3 ^. CM£KIZEP,00O& 110 1 *-C0C0*lZ£D)1v««*'J WOT THIS WE ■*" yoivKctMM wnoHATi fOUlY HMttMIZCS THE dxu rH* E<A*Al,v»M.D v©V ttliCvi THAT itt The oRlbiNAL, there wtat "0**103 1 this SCEwE ? HO? AMD THlT^ Stf MC IS I JUST SCREAHiMO F<*CC0NUl E <■ 2SW 'Rock the Vote' features local talent By Manny?ernandez Artspeak Staff The Neanderthals, The Crucified, The Miss Alans and Various Blends will be among the many local bands who will perform at a voter-awareness concert Sunday at F.P.O.A. Park. Rock The Vote, a na¬ tional youth political awareness organization, is sponsoring the festival, which features eight bands, information and voter registration booths, and speakers representing the Libertarian Party and Jerry Brown." j Julieanne Rhodes, central valley coordinator for Rock The Vote,.said she hopes to get the 18-30 year old age group regis¬ tered to vote.' "We want them to make good, informed choices," she said. "The Age of Apathy has^to end." Rhodes said the best way to get the attention of young people is through music. / Sunday's concert will ./also feature Don Mayhew, the Fresno Bee's pop music critic, in a dunk tank. All money raised from the Mayhew Dunk will go to the American Cancer Society. The $2 tickets for the concert aie available at Ragin' Records, Club Fred, Wavelengths and Rainbow Sound. - Other performers include Cryin' Out Loud, Glen Delpit and The Sub- terranpans. The Coins and Subpop Recording Artist The Rev. Horton HeatS^ F.P.O. A Park can be reached by traveling west on Herndon. Numerous signs will be posted along the way to help concertgo- ers find the exact location. The concert is sched¬ uled from 12-6 p.m. \ ELECTRA: Continued from page 1 J.J. Cobb as the murderous percussion accompanying Wolfbane fcrft 7N UTtT?ATUKTrM we»rurft»»r ittwgtwwm u\tt;topo..,j,ftto1(efca1 mother aytemnestra. Electra is perhaps one. of the most elaborate pro¬ ductions to be performed in the new John Wright Theatre to date. Compu¬ terized lighting effects designed by Janene Pettus simulate clouds and the changing light oftiay, complimenting the large, multi-levelled set Original music and the action on stage is performed by Ken Fre- drickson. Electra runs at the John Wright Theatre through May 10 with perfbrm- ances at 2 and 8 p.m. Audience members should be aware that semi-automatic weapons will be discharged as part of the action. Our BSV
Object Description
Title | 1992_05 The Daily Collegian May 1992 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1992 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Description
Title | May 1, 1992, Artspeak Page 2 |
Alternative Title | Daily Collegian (California State University, Fresno) |
Publisher | Associated Students of Fresno State, Fresno, Calif. |
Publication Date | 1992 |
Description | Daily (except weedends) during the school year. Microfilm. Palo Alto, Calif.: BMI Library Microfilms, 1986- microfilm reels; 35 mm. Vol.1, no.1 (Feb 8, 1922)- |
Subject | California State University, Fresno -- Periodicals. |
Contributors | Associated Students of Fresno State. |
Coverage | Vol.1 no.1 (Feb 8, 1922)- to present |
Format | Microfilm reels, 35 mm. |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 "E-image data" |
Language | eng |
Full-Text-Search | Mayl,1992 ArtSpeak Soup Dragons stay true to roots By Doug McLeod Artspeak Staff The latest release, Hot- wired L from the Scottish band the Soup Dragons, musically doesn't advance Itself much past the group's second release of two years ago, Lovegod. But what the third al¬ bum from vocalist/ guitarist Sean Dickson, guitarist Jim McCullogh, bassist Sushi 1 Dade and drummer Paul Quinn does accomplish is to es¬ tablish the cult following of the band. Part of the second United Kingdom invasion of the WS^s, the Soup Dragons are by far the least known of many "popular" Scottish/Irish/ English bands that.have hit it big. — Bands such as U2, the Hothouse Flowers, Jesus Jones and EMF have all accomplished wider com¬ mercial success, but the Soup Dragons are one of the few who have stayed true to their musical roots. The Soup Dragons were formed in Glasgow Scotland in 1985 and toiled in their native country for two years before hitting it big in the U.K. with their first single, the independently re¬ leased "Whole Wide World". Their success garnered them a recording contract with Sire Records, but after recording an EP of their independently re¬ corded singles entitled Hang Ten and their well- * received debut LP in 1987, This Is Our Art, the band left Sire for more creative control over their music. What followed was the breakthrough released that made the Soup Dragons a cult hit; the. • album Lovegod and the hit alternative singles "I'm Free" and "Mother Uni¬ verse", which propelled the album to gold status in Billboard Magazine. Hotwired, the follow- up to Lovegod, further illustrates the Soup Drag¬ ons' penchant for writing interesting, if not catchy music. The 12-song album is mote reminiscent of the Clash rather than the over-produced sound of Jesus Jones and more directly, EMF. Singles such as "Pleas¬ ure" and "Running Wild" expose the listener to a surprisingly bluesy side to the Soup Dragons, while maintaining a "modern rock" feel about them. The almost psyche¬ delic sound of the aptly titled singles "Getting Down" and "Dream On" immediately reminds one of Jimi Hendrix. \ The hauntingly vast sound of the ne w a ge-ish "Forever Yesterday", com¬ plete with the old Star Trek sound effects (which work surprisingly well), makes the album Hotwired an experience that any alternative music fan should not miss. PKtMNTi l>.-«^: 07 Troun. MM* Mm Ruten Boiling WW! D HC*6 Tt«AW^3 ^. CM£KIZEP,00O& 110 1 *-C0C0*lZ£D)1v««*'J WOT THIS WE ■*" yoivKctMM wnoHATi fOUlY HMttMIZCS THE dxu rH* E |