Page 154 |
Previous | 154 of 569 | Next |
|
|
This page
All
|
Art and Design
154 2011-2012 California State University, Fresno General Catalog
meet a standard art major undergraduate
equivalency.
Second-semester seniors in the undergradu-ate
art program may also enroll in 200-series
coursework in art subject to the approval
of the instructor.
Master of Arts
Degree Requirements
Under the direction of a graduate adviser,
each student prepares and submits a coher-ent
program individually designed within
the following framework:
Units
Approved courses in art in the
200-series (see Specifi c
Requirements) ................................21-30
Approved courses in art or related
fi elds in the 100- or 200-series .......... 0-9
Total ................................................... 30
Specifi c Requirements. ART 230 or 260
(3 units) and ART 298 or 299 (2-6 units).
Before being allowed to exhibit, candidates
expecting to participate in ART 298 are
required to have completed ART 112 or
the equivalent approved by the gallery
director.
For studio areas, additional units (3-9) in
ART 240 or 220T are specifi cally recom-mended.
For art history areas, ART 230 and addi-tional
units (3-9) in ART 260 are specifi cally
recommended.
Classifi ed Standing. Concurrently with
the departmental review and evaluation for
classifi ed standing, the student will submit
a tentative program outline for approval by
the screening committee.
Graduate Writing Skills Requirement.
Before advancing to candidacy, the student
must have completed the graduate writing
requirement. This requirement is satisfi ed by
passing the designated writing component of
either ART 230 or ART 260. Please see the
Department of Art and Design’s Graduate
Guide for more detailed information. Please
note that the prerequisites for these courses
may change according to the subject covered.
Admission to the course is by permission
of instructor.
Advancement to Candidacy. Prior to the
completion of 20 units of the proposed
program, the student will review the pro-gram
of courses with an adviser from the
selected area of concentration.
COURSES
Art and Design (ARTDS)
ARTDS 9T. Studio Topics in Art and
Design (1-3; max total 9 if no topic
repeated)
Specifi c introductory studio processes not
covered in regular course offerings. Areas
offered may be drawing, painting, ceram-ics,
sculpture, photography, printmaking,
design, crafts, motion picture, art educa-tion,
computer graphics, graphic design,
and interior design.
ARTDS 10T. Lecture Topics in Art and
Design (1-3; max total 9 if no topic
repeated)
Specifi c lecture area not normally covered
in regular course offerings in art, graphic
design, or interior design. Topics may
include African American art, aesthetics of
electronic imagery, careers in art and design,
portfolio preparation, interior design, and
graphic design.
Art History (ARTH)
ART HISTORY SURVEYS
ARTH 10. The Ancient
and Medieval Worlds (3)
An introductory survey of the arts of the
ancient and medieval worlds, beginning with
the Paleolithic and including Near Eastern,
Egyptian, and European (Aegean, Greek,
Roman, medieval) traditions through the
mid-14th century. G.E. Breadth C1. FS
ARTH 11. The Early Modern World (3)
An introductory survey of Western art from
the Renaissance through the 18th century,
including Mannerism, Baroque, Rococo,
and Neoclassicism from the mid-14th cen-tury
to the end of the 18th century. G.E.
Breadth C1. FS
ARTH 109T. Topics in Art History
(1-3; max total 3 if no topic repeated)
Specifi c areas in art history not normally
covered in the regular course offering.
Pos sible topical areas include Arts of the
South Pacifi c, Buddhism, Chinese Paint-ing,
Happenings, History of Modern Art
through Film, Museums and Monuments
of Europe, Fountains of Baroque Rome,
Popes and Patrons of Renaissance Europe,
17th Century Holland, and the Rise of the
Secular in Art.
WESTERN ART SURVEYS
ARTH 120. Italian Renaissance (3)
Artistic revival of classical antiquity in Italy
between 1300-1550.
ARTH 122. Northern Renaissance (3)
Painting and sculpture from the Neth-erlands,
France, and Germany between
1300-1550. F
ARTH 124. Italian Baroque (3)
Baroque art from its conception in Rome
to its dispersal throughout Italy from
1600-1750.
ARTH 126. Northern Baroque (3)
Diffusion of Italian Baroque art to the
Netherlands, France, Spain, Germany, and
Austria between 1600-1750.
ARTH 131. Nineteenth Century Modern
Art (3)
A more developed critical look at modern art
in its relationship to the needs of the social
political context of the 19th century. F
ARTH 132. Twentieth Century Modern
Art (3)
A more developed critical look at modern
art in its relationship to the needs of the
social political context of the 20th century,
up to the mid-1950s. F
ARTH 136. Contemporary Art (3)
A comprehensive survey of contemporary
art focusing on the issue of postmodern ism
from the mid-1950s onward. S
WORLD ART SURVEYS
ARTH 160. Africa (3)
Sculpture, painting, architecture, festivals,
and personal adornment of sub-Saharan
Africa. S
ARTH 170. Native North American (3)
Arts of the indigenous North American
cultures from the Arctic to the American
Southwest.
ARTH 173. Pre-Columbian Mexico (3)
Art of the Olmec through the Aztec cul-tures.
ARTH 175. Pre-Columbian Andes (3)
Art of the Chavin through the Inca cul-tures.
ARTH 190. Independent Study
(1-3; max total 6)
See Academic Placement — Independent
Study. Approved for RP grading.
Studio (ART)
ART 1. Art Forms (3)
Slide lecture-discussion. An introduction
to art/seeing and appreciating the visual
world around us. G.E. Breadth C1. (Course
fee, $5) FS
Object Description
| Title | 2011-12 General Catalog |
| Creator | California State University, Fresno |
| Format | PDF Document |
| Date of publication | 2011-05 |
| Subjects | California State University, Fresno. Curricula. Catalogs |
| Object type | Document |
| Location | Fresno, California |
| Language | eng |
Description
| Title | Page 154 |
| Full Text Search | Art and Design 154 2011-2012 California State University, Fresno General Catalog meet a standard art major undergraduate equivalency. Second-semester seniors in the undergradu-ate art program may also enroll in 200-series coursework in art subject to the approval of the instructor. Master of Arts Degree Requirements Under the direction of a graduate adviser, each student prepares and submits a coher-ent program individually designed within the following framework: Units Approved courses in art in the 200-series (see Specifi c Requirements) ................................21-30 Approved courses in art or related fi elds in the 100- or 200-series .......... 0-9 Total ................................................... 30 Specifi c Requirements. ART 230 or 260 (3 units) and ART 298 or 299 (2-6 units). Before being allowed to exhibit, candidates expecting to participate in ART 298 are required to have completed ART 112 or the equivalent approved by the gallery director. For studio areas, additional units (3-9) in ART 240 or 220T are specifi cally recom-mended. For art history areas, ART 230 and addi-tional units (3-9) in ART 260 are specifi cally recommended. Classifi ed Standing. Concurrently with the departmental review and evaluation for classifi ed standing, the student will submit a tentative program outline for approval by the screening committee. Graduate Writing Skills Requirement. Before advancing to candidacy, the student must have completed the graduate writing requirement. This requirement is satisfi ed by passing the designated writing component of either ART 230 or ART 260. Please see the Department of Art and Design’s Graduate Guide for more detailed information. Please note that the prerequisites for these courses may change according to the subject covered. Admission to the course is by permission of instructor. Advancement to Candidacy. Prior to the completion of 20 units of the proposed program, the student will review the pro-gram of courses with an adviser from the selected area of concentration. COURSES Art and Design (ARTDS) ARTDS 9T. Studio Topics in Art and Design (1-3; max total 9 if no topic repeated) Specifi c introductory studio processes not covered in regular course offerings. Areas offered may be drawing, painting, ceram-ics, sculpture, photography, printmaking, design, crafts, motion picture, art educa-tion, computer graphics, graphic design, and interior design. ARTDS 10T. Lecture Topics in Art and Design (1-3; max total 9 if no topic repeated) Specifi c lecture area not normally covered in regular course offerings in art, graphic design, or interior design. Topics may include African American art, aesthetics of electronic imagery, careers in art and design, portfolio preparation, interior design, and graphic design. Art History (ARTH) ART HISTORY SURVEYS ARTH 10. The Ancient and Medieval Worlds (3) An introductory survey of the arts of the ancient and medieval worlds, beginning with the Paleolithic and including Near Eastern, Egyptian, and European (Aegean, Greek, Roman, medieval) traditions through the mid-14th century. G.E. Breadth C1. FS ARTH 11. The Early Modern World (3) An introductory survey of Western art from the Renaissance through the 18th century, including Mannerism, Baroque, Rococo, and Neoclassicism from the mid-14th cen-tury to the end of the 18th century. G.E. Breadth C1. FS ARTH 109T. Topics in Art History (1-3; max total 3 if no topic repeated) Specifi c areas in art history not normally covered in the regular course offering. Pos sible topical areas include Arts of the South Pacifi c, Buddhism, Chinese Paint-ing, Happenings, History of Modern Art through Film, Museums and Monuments of Europe, Fountains of Baroque Rome, Popes and Patrons of Renaissance Europe, 17th Century Holland, and the Rise of the Secular in Art. WESTERN ART SURVEYS ARTH 120. Italian Renaissance (3) Artistic revival of classical antiquity in Italy between 1300-1550. ARTH 122. Northern Renaissance (3) Painting and sculpture from the Neth-erlands, France, and Germany between 1300-1550. F ARTH 124. Italian Baroque (3) Baroque art from its conception in Rome to its dispersal throughout Italy from 1600-1750. ARTH 126. Northern Baroque (3) Diffusion of Italian Baroque art to the Netherlands, France, Spain, Germany, and Austria between 1600-1750. ARTH 131. Nineteenth Century Modern Art (3) A more developed critical look at modern art in its relationship to the needs of the social political context of the 19th century. F ARTH 132. Twentieth Century Modern Art (3) A more developed critical look at modern art in its relationship to the needs of the social political context of the 20th century, up to the mid-1950s. F ARTH 136. Contemporary Art (3) A comprehensive survey of contemporary art focusing on the issue of postmodern ism from the mid-1950s onward. S WORLD ART SURVEYS ARTH 160. Africa (3) Sculpture, painting, architecture, festivals, and personal adornment of sub-Saharan Africa. S ARTH 170. Native North American (3) Arts of the indigenous North American cultures from the Arctic to the American Southwest. ARTH 173. Pre-Columbian Mexico (3) Art of the Olmec through the Aztec cul-tures. ARTH 175. Pre-Columbian Andes (3) Art of the Chavin through the Inca cul-tures. ARTH 190. Independent Study (1-3; max total 6) See Academic Placement — Independent Study. Approved for RP grading. Studio (ART) ART 1. Art Forms (3) Slide lecture-discussion. An introduction to art/seeing and appreciating the visual world around us. G.E. Breadth C1. (Course fee, $5) FS |
