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arts with adequate emphasis in the specialization selected for the graduate major. Under the direction of a graduate adviser, each student prepares and submits a coherent program designed within fhe following framework: Theatre Arts (Drama) 1. Theatre Appreciation (1; max total 4). Open to nonmajors. Understanding elements at theatre production through observation of a wide variety of staged productions. Discussion will stem directly from productions observed during the semester. 10. The Art of Theatre (3). Fundamental knowledge and skills required for study in the theatre arts program which includes the literary basis, technique, visual impact and presentation of drama. 15, Dramatic Arts Laboratory (1-2; max total 6) (Same as Drama 115) Group laboratory experience in presentation of major productions for public performance. 22. Fundamentals of Interpretation (3), Discovering and communicating intellectual and emotional meaning of the printed page through preparation and presentation of selected readings from prose, poetry, and drama. 30. Voice and Speech for Performance (3). Open to theatre arts majors and minors only. Principles of voice and speech for stage performance including the International Phonetics Alphabet, breathing, relaxation, resonance, enunciation, articulation, pronunciation, projection, expressiveness, and vocal characterization. 31. Fundamentals of Voice and Articulation (3), Open to non-majors only. Principles of voice and articulation with demonstration in various aspects of oral communication. 32. Introduction to Acting (3). Not open to Theatre Arts majors. Fundamentals of improvisation, voice, movement, and acting. Development of stage presence, and an introduction to characterization and dramatic text. 33. Fundamentals of Acting (3). Fundamental techniques and theories of acting; development of individuat insight, skill, and discipline in the presentation of dramatic materials. 34. Theatre Crafts (3). Introduction to the crafts in technical theatre; scene construction, scene painting, property seleclion, stage lighting, sound production; costume construction and make-up; laboratory experience in preparing malar plays for public performance. 35. Intermediate Acting (3). Prerequisite: Drama 33. tntermediate studies in acting including text analysis, expansion of the actor's character range and audition techniques. 44. Fundamentals of Motion Picture Acting (3). Introduction to the basic creative and mechanical pr'lnciples of motion picture acting through preparation and presentation of scenes on tape for analysis and c;1iscussion. 62. Theatre Today (3), Not open to threatre arts majors. Perspectives on contemporary theatre forms and productions. 1. Drama 200, 221, 231, 232, 233 and 240 .. 2. Approved electives .. 3. Drama 298 (project) or 299 (Thesis) . Total. Courses Units 18 9 3 30 Theatre Arts 83, Touring Theatre (1-3; max total 6) (Same as Drama 183). Prerequisite: permission of instructor. Experience in touring major productions for public performance. 89, Projects In Production (1-3; max total 9) (Same as Drama 189), Prerequisite: permission of instructor. Group projects in all phases of production in taboratory theatre. 101. Theatre Appreciation (1; max total 4), Open to nonmajors only. Understanding elements of theatre production through observation of a wide variety of stage productions. Discussion will stem directly from productions observed during the semester. 115. Dramatic Arts Laboratory (1-2; max total 9) (See Drama 15). 131. Fundamentals of Playwriting (3; max total 9). Exercises in plotting, characterization, exposition, and stage business, critical analysis and revision of manuscripts. 133A·B, Advanced Acting (3·3 units), Prerequisite: Drama 35. (A) Advanced lechniques of voice, movement, emotion, and characterization, developed through improvisation and scene study. (8) Period styles of acting. (Former Drama 133) 134A·B, Advanced Theatre Craft (3-3), Prerequisite: Drama 34. (A) Advanced training in scenic techniques and allied technology. Laboratory application to major public productions. (8) In-depth survey of each phase of the costume design and production process. Laboratory application to major public performances. 135. Make-up for Theatre (3; max total 6), Theory and practice of make-up for theatre; techniques for characterization, style, and technical processes; aesthetics, analysis of characters for make-up. Preparing piays for major public performances. 136. Puppetry (3). Introduction to the art of puppetry: history, construction of various types of puppets and theatre, practice in manipulation, script writing, use of puppets in education and recreation. 137, Creative Dramatics (2; max total 6) (Same as T Ed 137). Basic techniques for the use of dramatization in elementary education; socio-drama, dramatization of school subjects, creat"lve dramatic play; simplified staging techniques. 138, Children's Theatre (3; max total 6). Theories of children's theatre and application to problems 'In production; preparing plays for major public performance. 139. Fundamentals of Play Direction (3), Prerequisite: Drama 33. Fundamental techniques and theories of stage dlreclion; function, responsibility, movement, analysis, style; practice in directing scenes. 140, Experimental Techniques In Play Direction (3). Experimental techniques of play direction: prerehearsal problems and procedures; structural analysis of plays, composition, picturization, pantomimic dramatization, movement, rhythm. 145, Women in the Theatre (3) (Same as W S 145). Historical and contemporary perspectives and attitudes applied to women in the theatre arts including study of female artists, actresses, dancers, theatrical designers and technicians, directors and teachers. 150, Theatre Management and Promotion (3), Principles of organization, operation, and administration of educational, community, and profess'lonal theatre; box office operation, accounting procedures, ticket manipulation, house management, fund raising, promotional media. Supervised practical experience in dramatIc art area production. 409
Object Description
Title | 1986-87 General Catalog |
Creator | California State University, Fresno |
Format | PDF Document |
Date of publication | 1986-05 |
Subjects | California State University, Fresno. Curricula. Catalogs |
Object type | Document |
Location | Fresno, California |
Language | eng |
Description
Title | Page 409 |
Full Text Search | arts with adequate emphasis in the specialization selected for the graduate major. Under the direction of a graduate adviser, each student prepares and submits a coherent program designed within fhe following framework: Theatre Arts (Drama) 1. Theatre Appreciation (1; max total 4). Open to nonmajors. Understanding elements at theatre production through observation of a wide variety of staged productions. Discussion will stem directly from productions observed during the semester. 10. The Art of Theatre (3). Fundamental knowledge and skills required for study in the theatre arts program which includes the literary basis, technique, visual impact and presentation of drama. 15, Dramatic Arts Laboratory (1-2; max total 6) (Same as Drama 115) Group laboratory experience in presentation of major productions for public performance. 22. Fundamentals of Interpretation (3), Discovering and communicating intellectual and emotional meaning of the printed page through preparation and presentation of selected readings from prose, poetry, and drama. 30. Voice and Speech for Performance (3). Open to theatre arts majors and minors only. Principles of voice and speech for stage performance including the International Phonetics Alphabet, breathing, relaxation, resonance, enunciation, articulation, pronunciation, projection, expressiveness, and vocal characterization. 31. Fundamentals of Voice and Articulation (3), Open to non-majors only. Principles of voice and articulation with demonstration in various aspects of oral communication. 32. Introduction to Acting (3). Not open to Theatre Arts majors. Fundamentals of improvisation, voice, movement, and acting. Development of stage presence, and an introduction to characterization and dramatic text. 33. Fundamentals of Acting (3). Fundamental techniques and theories of acting; development of individuat insight, skill, and discipline in the presentation of dramatic materials. 34. Theatre Crafts (3). Introduction to the crafts in technical theatre; scene construction, scene painting, property seleclion, stage lighting, sound production; costume construction and make-up; laboratory experience in preparing malar plays for public performance. 35. Intermediate Acting (3). Prerequisite: Drama 33. tntermediate studies in acting including text analysis, expansion of the actor's character range and audition techniques. 44. Fundamentals of Motion Picture Acting (3). Introduction to the basic creative and mechanical pr'lnciples of motion picture acting through preparation and presentation of scenes on tape for analysis and c;1iscussion. 62. Theatre Today (3), Not open to threatre arts majors. Perspectives on contemporary theatre forms and productions. 1. Drama 200, 221, 231, 232, 233 and 240 .. 2. Approved electives .. 3. Drama 298 (project) or 299 (Thesis) . Total. Courses Units 18 9 3 30 Theatre Arts 83, Touring Theatre (1-3; max total 6) (Same as Drama 183). Prerequisite: permission of instructor. Experience in touring major productions for public performance. 89, Projects In Production (1-3; max total 9) (Same as Drama 189), Prerequisite: permission of instructor. Group projects in all phases of production in taboratory theatre. 101. Theatre Appreciation (1; max total 4), Open to nonmajors only. Understanding elements of theatre production through observation of a wide variety of stage productions. Discussion will stem directly from productions observed during the semester. 115. Dramatic Arts Laboratory (1-2; max total 9) (See Drama 15). 131. Fundamentals of Playwriting (3; max total 9). Exercises in plotting, characterization, exposition, and stage business, critical analysis and revision of manuscripts. 133A·B, Advanced Acting (3·3 units), Prerequisite: Drama 35. (A) Advanced lechniques of voice, movement, emotion, and characterization, developed through improvisation and scene study. (8) Period styles of acting. (Former Drama 133) 134A·B, Advanced Theatre Craft (3-3), Prerequisite: Drama 34. (A) Advanced training in scenic techniques and allied technology. Laboratory application to major public productions. (8) In-depth survey of each phase of the costume design and production process. Laboratory application to major public performances. 135. Make-up for Theatre (3; max total 6), Theory and practice of make-up for theatre; techniques for characterization, style, and technical processes; aesthetics, analysis of characters for make-up. Preparing piays for major public performances. 136. Puppetry (3). Introduction to the art of puppetry: history, construction of various types of puppets and theatre, practice in manipulation, script writing, use of puppets in education and recreation. 137, Creative Dramatics (2; max total 6) (Same as T Ed 137). Basic techniques for the use of dramatization in elementary education; socio-drama, dramatization of school subjects, creat"lve dramatic play; simplified staging techniques. 138, Children's Theatre (3; max total 6). Theories of children's theatre and application to problems 'In production; preparing plays for major public performance. 139. Fundamentals of Play Direction (3), Prerequisite: Drama 33. Fundamental techniques and theories of stage dlreclion; function, responsibility, movement, analysis, style; practice in directing scenes. 140, Experimental Techniques In Play Direction (3). Experimental techniques of play direction: prerehearsal problems and procedures; structural analysis of plays, composition, picturization, pantomimic dramatization, movement, rhythm. 145, Women in the Theatre (3) (Same as W S 145). Historical and contemporary perspectives and attitudes applied to women in the theatre arts including study of female artists, actresses, dancers, theatrical designers and technicians, directors and teachers. 150, Theatre Management and Promotion (3), Principles of organization, operation, and administration of educational, community, and profess'lonal theatre; box office operation, accounting procedures, ticket manipulation, house management, fund raising, promotional media. Supervised practical experience in dramatIc art area production. 409 |