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Ar!
Courses
Art History (Art H)
ART HISTORY SURVEYS
10. The Ancient and Primitiv.. World (3). An introductory
survey to the arts of the prehistoric and primitive realms, including
Western traditions (Egyptian, Greek, Roman, Medieval) through
the mid-fourteenth century.
20. The lIIIodern World (3). An introductory survey of Western
art from the Renaissance through the twentieth century, including
Mannerism, Baroque, Rococo, and Neoclassicism from
the mid-fourteenth century to the beginning of the nineteenth
century.
109T. TOpics in Art History (1:-3; max 3 p..r ar..a), Spec
cific areas in art history not normally covered in the regular
course offering. Possible topical areas include African, PreColumbian,
Primitive, Early Migrations, American Inllians, Buddhism,
Chinese Painting, Happenings, History of Modern Art
through Film, Museums and Monuments of Europe, Fountains of
Baroque Rome, Popes and Patrons of Renaissance Europe, 17th
century Holland and the Rise of the Secular in Art.
WESTERN ART SURVEYS'
120. Italian Renaissance (3). Artistic revival of classical antiquity
in Italy between 1300-1550.
122. Northern Renaissance (3). Painting and sculpture
from the Netherlands, France and Germany between 1300-1550.
124. Italian Baroque (3). Baroque art from its conception in
Rome to its dispersal throughout Italy from 1600-1750.
126.. lIIorthern Baroque (3). Diffusion of Italian Baroque art
to the Netherlands, France, Spain, Germany, and Austria
between 1600-1750.
130. lIIIodern Painting: 19th-20th Century (3). Evolution of
painting and SCUlpture in the nineteenth and twentieth centuries.
(Former Art H 130W)
131. lIIineteenth Century lIIIodern Art (3). Not open to students
in Art H 130. A comprehensive survey of the revolutionary
art movements in a social context, including the contribution of
major masters as exemplified by artists such as Toulouse-Lautrec,
Vincent van Gogh, and Picasso.
132. Twentieth Century lIIIodern Art (3). A comprehensive
survey of the revolutionary art movements in a social contexl
inclUding contributions of major masters: Picasso, Matisse, Dali,
Jackson Pollack, Andy Warhol, and artists of today, such as
Christos.
134. America (3). Art from colonial times to 1945. (Former
Art H 134W)
136. Contemporary Art Since 1945 (3). The moving forces
in the changing modes of art today.
ASIAIII ART SURVEYS'
140. India and South East Asia (3). The art of India and
its influence on surrounding territories from the Himalayan (Tibet)
to Cambodia. (Former Art H 140W)
142. A Surv..y of Asian Art (3). A study of Asian art in a
social religious context from prehistoric to present with emphasis
on stylistic analysis of India, China, and Japan. (Former Art H
142W)
• See Art Department Course Description available al the Art Department.
178
PRlllillTIVE ART SURVEYS'
160. Africa (3). Sculpture, painting, architecture, festivals
and personal adornment of sub-Saharan Africa. Field trips may
be required.
162. Hawaii and th.. S"uth S..as (2). Traditional arts of the
Pacific Basin, especially Hawaii, New GUinea, and Australia. Field
trips may be required.
ART OF THE AllilERICAS SURVEYS'
170. lIIorth Am..rican Indian and Eskimo (3). Arts of the
indigenous North American cultures from the Arctic to the American
Southwest. Field trips may be required.
173. Pr..-Columbian lIIIexico (3). Art of the Olmec through
the Aztec cultures. Field trips may be required.
175. Pre'ColUmbl"ri Arid.... (3). Art of the Chavin through
the Inca cultures. Field trips may be required.
190. ind..p..nd..nt StUdy (1-3; mal< s.... ref..r..nc..). See
Academic Placement-Independent StUdy.
Studio (Art)
1. Art Forms (3). Slide lecture-discussion. An introduction
to art/seeing and appreciating the visual world around us.
13. D..sign (3). Exploration of basic art concepts through
two- and three-dimensional design problems. (6 lecture-lab
hours)
20. Drawing (3). Introductory course in drawing concepts,
materials and techniques. (6 lecture-lab hours)
21. Figure Drawing (3). Introductory course in the basic
concepts of figure drawing problems and techniques. (6 lecturelab
hours)
24. Printmaking (3). Introduction to the printmaking processes
of intaglio, lithography, and woodblock printing. (Course
fee, $10) (6 lecture-lab hours)
25. Lithography (3). Studio class offering in printing of
drawings created on stone, and metal plates in the planographic
process. Printing in black ink as well as color will be covered.
(Course fee, $10) (6 lecture-lab hours)
26. Intaglio Proc..ss..s (3). Studio class offering in printing
in the intaglio process using such techniques as etching, drypoint,
aquatint, and softground on metal plates. Printing in black
ink as well as color will be covered. (Course fee, $10) (6 lecturelab
hours)
27. Screenprinllng (3). Investigation into techniques of
printing with a screen. Paper, film, tusche, and glue techniques
for creating printing stencils will be covered. (Course fee, $15)
(6 lecture-lab hours)
30. Photography (3). Introductory course in black and
white photography. Basic theoretical and practical aspects of the
photographic process relevant to the medium as an art form. (2
lecture, 3 lab hours)
40. Painting (3). Introduction to painting processes through
studio problems and critiques. (6 lecture-lab hours)
45. Wat..rcolor (3). Introduction to techniques in watercolor
painting with emphasis on transparencies. (6 lecture-lab hours)
50. Sculptur.. (3). Introductory course in materials and concepts.
(6 lecture-lab hours)
60. B..ginnlng C..ramlcs (3). A survey of ceramic materials
and their functions in the arts. Basic studio practices in the hand-
Object Description
| Title | 1985-86 General Catalog |
| Creator | California State University, Fresno |
| Format | PDF Document |
| Date of publication | 1985-04 |
| Subjects | California State University, Fresno. Curricula. Catalogs |
| Object type | Document |
| Location | Fresno, California |
| Language | eng |
Description
| Title | Page 178 |
| Full Text Search | Ar! Courses Art History (Art H) ART HISTORY SURVEYS 10. The Ancient and Primitiv.. World (3). An introductory survey to the arts of the prehistoric and primitive realms, including Western traditions (Egyptian, Greek, Roman, Medieval) through the mid-fourteenth century. 20. The lIIIodern World (3). An introductory survey of Western art from the Renaissance through the twentieth century, including Mannerism, Baroque, Rococo, and Neoclassicism from the mid-fourteenth century to the beginning of the nineteenth century. 109T. TOpics in Art History (1:-3; max 3 p..r ar..a), Spec cific areas in art history not normally covered in the regular course offering. Possible topical areas include African, PreColumbian, Primitive, Early Migrations, American Inllians, Buddhism, Chinese Painting, Happenings, History of Modern Art through Film, Museums and Monuments of Europe, Fountains of Baroque Rome, Popes and Patrons of Renaissance Europe, 17th century Holland and the Rise of the Secular in Art. WESTERN ART SURVEYS' 120. Italian Renaissance (3). Artistic revival of classical antiquity in Italy between 1300-1550. 122. Northern Renaissance (3). Painting and sculpture from the Netherlands, France and Germany between 1300-1550. 124. Italian Baroque (3). Baroque art from its conception in Rome to its dispersal throughout Italy from 1600-1750. 126.. lIIorthern Baroque (3). Diffusion of Italian Baroque art to the Netherlands, France, Spain, Germany, and Austria between 1600-1750. 130. lIIIodern Painting: 19th-20th Century (3). Evolution of painting and SCUlpture in the nineteenth and twentieth centuries. (Former Art H 130W) 131. lIIineteenth Century lIIIodern Art (3). Not open to students in Art H 130. A comprehensive survey of the revolutionary art movements in a social context, including the contribution of major masters as exemplified by artists such as Toulouse-Lautrec, Vincent van Gogh, and Picasso. 132. Twentieth Century lIIIodern Art (3). A comprehensive survey of the revolutionary art movements in a social contexl inclUding contributions of major masters: Picasso, Matisse, Dali, Jackson Pollack, Andy Warhol, and artists of today, such as Christos. 134. America (3). Art from colonial times to 1945. (Former Art H 134W) 136. Contemporary Art Since 1945 (3). The moving forces in the changing modes of art today. ASIAIII ART SURVEYS' 140. India and South East Asia (3). The art of India and its influence on surrounding territories from the Himalayan (Tibet) to Cambodia. (Former Art H 140W) 142. A Surv..y of Asian Art (3). A study of Asian art in a social religious context from prehistoric to present with emphasis on stylistic analysis of India, China, and Japan. (Former Art H 142W) • See Art Department Course Description available al the Art Department. 178 PRlllillTIVE ART SURVEYS' 160. Africa (3). Sculpture, painting, architecture, festivals and personal adornment of sub-Saharan Africa. Field trips may be required. 162. Hawaii and th.. S"uth S..as (2). Traditional arts of the Pacific Basin, especially Hawaii, New GUinea, and Australia. Field trips may be required. ART OF THE AllilERICAS SURVEYS' 170. lIIorth Am..rican Indian and Eskimo (3). Arts of the indigenous North American cultures from the Arctic to the American Southwest. Field trips may be required. 173. Pr..-Columbian lIIIexico (3). Art of the Olmec through the Aztec cultures. Field trips may be required. 175. Pre'ColUmbl"ri Arid.... (3). Art of the Chavin through the Inca cultures. Field trips may be required. 190. ind..p..nd..nt StUdy (1-3; mal< s.... ref..r..nc..). See Academic Placement-Independent StUdy. Studio (Art) 1. Art Forms (3). Slide lecture-discussion. An introduction to art/seeing and appreciating the visual world around us. 13. D..sign (3). Exploration of basic art concepts through two- and three-dimensional design problems. (6 lecture-lab hours) 20. Drawing (3). Introductory course in drawing concepts, materials and techniques. (6 lecture-lab hours) 21. Figure Drawing (3). Introductory course in the basic concepts of figure drawing problems and techniques. (6 lecturelab hours) 24. Printmaking (3). Introduction to the printmaking processes of intaglio, lithography, and woodblock printing. (Course fee, $10) (6 lecture-lab hours) 25. Lithography (3). Studio class offering in printing of drawings created on stone, and metal plates in the planographic process. Printing in black ink as well as color will be covered. (Course fee, $10) (6 lecture-lab hours) 26. Intaglio Proc..ss..s (3). Studio class offering in printing in the intaglio process using such techniques as etching, drypoint, aquatint, and softground on metal plates. Printing in black ink as well as color will be covered. (Course fee, $10) (6 lecturelab hours) 27. Screenprinllng (3). Investigation into techniques of printing with a screen. Paper, film, tusche, and glue techniques for creating printing stencils will be covered. (Course fee, $15) (6 lecture-lab hours) 30. Photography (3). Introductory course in black and white photography. Basic theoretical and practical aspects of the photographic process relevant to the medium as an art form. (2 lecture, 3 lab hours) 40. Painting (3). Introduction to painting processes through studio problems and critiques. (6 lecture-lab hours) 45. Wat..rcolor (3). Introduction to techniques in watercolor painting with emphasis on transparencies. (6 lecture-lab hours) 50. Sculptur.. (3). Introductory course in materials and concepts. (6 lecture-lab hours) 60. B..ginnlng C..ramlcs (3). A survey of ceramic materials and their functions in the arts. Basic studio practices in the hand- |
