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April 21,1993 Page 7 Television violence skyrockets, may impact childrens' behavior ♦ Increased mean streak on TV draws questions about its impact on society. By Andrea Purl Staff Writer Increased mean streak in TV "I hate you!" screams Darlcnc of the CBS television show "Roscanne." "Good," said her mother, "My work on Earth is done." Gone arc the days of "Leave it to Beaver" and "The Andy Griffith Show" where family conflicts and violence went as far as Wally staying outpastcurfew and Opic accidentally killing a bird with his slingshot. Today, television depicting dysfunctional family situations such as "The Simpsons,""Married With Children," and "Roscanne" have become commonplace. This, paired with increased violence in television and movies directed towards young people, has a'armed those concerned with the influence TV may wield in society. According to a report published by the American Psychological Association, by the time an American child has left elementary school, he has watched 8,000 murders on television. This same task force concluded that TV violence can encourage aggressive behavior. Psychology ProfcssorCriss Wilhile, who has noi had a television in her home since 1977, said that shows arc not just limited to increased violence. A sense of a lack of consequences for offensive behavior is also portrayed. "Irresponsible driving is just one case," she cited, "The chase scenes where 35 cars arc wrecked often have iiu injuries. Sexual contact is the same thing." Violenceis not limited to primetime television. Movies aimed at a young audience, such as Home Alone 2 and Teenage Mutant Ninja Turtles, also are criticized by some as being too violent. Home Alone 2 grossed S33 million in its first week. The sequel contains scenes such as an electrocution and an exploding head, and at- Several teachers agreed. "Many students are aggressively rude," said Don Hall, a seventh grade instructor. Child and Family Studies Professor Vivian Kunimitsu said that all children are affected by violence and cruelty to others, but the danger is when a child is particularly susceptible to influence. traded five million viewers in its* first week in the theaters. A 1991 study of 100 children's cartoon programs by the National Coalition on Television Violence found that half the cartoons involved violence, and showed three times as many acts of violence as prime-time tclcvi- Wilhitc said that although she doesn't have a TV in her home, she has seen the programs "Married With Children" and "Roscanne." "In the 1950s, shows displayed no conflicts between family members," she said. "At first, these new type of programs was refreshing. It was kind of fun to sec how life actually is." But she did agree that this disrespectful behavior is becoming more popular with teenagers. "The child may be lacking in ego strength, and good parenting. Some parents just aren't doing a good job." The childmayalsobc influenced by other factors, such as violence in the home. Several groups have united to expand children's programming. Ac- lion for Children's Television has convinced Congress to pass the Children's Television Act of 1990. The act stipulates that broadcasters have to serve the "educational and information needs" of children or face the risk of losing their broadcast licenses. A review by consumer groups of 58 stations in August revealed that none of the stations had produced new programs designed for children. The sta tions had just re-labelled the existing programming, such as cartoons, as "educational." Although the act has not provided the anticipated result, Kunimitsu said the she has observed an improvement in the situation. "I do sec good programs, such as the afierschool programs. These programs are aimed at school-age children." Kunimitsu said that parents can help their children by being aware of what programs children are watching. This starts early and takes a lot of time, but can start when children arc pre-schoolers. "Parents should teach children to settle arguments without violence." she said. "And try to get children to recognize violence, try to put it into perspective." Wilhitc agreed. "You either have two choices," she said, "you can cither not expose them to the shows, or just monitor what they watch." "I can't believe the violence and the plain rudeness of television," said Susan Graham, mother of two children ages 5 and 7. "There is no way to judge what will come on next. I can't let my children watch anything without worrying about the influence." Kunimitsu said that forbidding children to watch a violent program, or play with violent toys often leads to the opposite effect. "This begins as an obsession," she said, "if you forbid your child to play with toy guns, as soon as they arc at a friends house, they go straight for the toy guns." "A good way to help children," she said, "is to monitor the shows. But unfortunately, most parents don't monitor iL" Fen ando Tejada/ Insight Artist excels despite disability ♦ Musician hopes to inspire others with hope of possibilities. By Cristina Medina Staff Writer The curtain at the Wamor Theatre is raised, from the dim smoky light appears a solo artist sitting uncomfortably in a folding chair. With a guitar at his feet and a microphone perched in front of him, Tony Melendez is ready to perform. Although a birth defect left Melendez without arms, it has not limited his success in becoming an accomplished guitarist. After playing for Pope John Paul II during his visit to Los Angeles in 1987, Melendez's career soared. "Playing for the Pope was the highest honor anyone could give me." said Melendez, a devout Catholic. "He came off the stage and kissed me and since then my life hasn't been the same." Melendez tours 15-20 days out of the month playing arenas, universities and making television appearances. He has maintained his commitment to God through his music. "God is the most important person in my life. I try to spread the message of self worth and tell people how great it is to be alive," said Melendez, who has released two Christian albums and recorded an album for children. Having toured the United States, Europe and South America, Melendez says people have come to regard him as an advocate for the handicapped. "People are always amazed when they sec what I can do. Visually, it is a good thing for people to experience," said Melendez. 31, "In some countries the handicapped arc locked away in their houses and viewed as a menace to society. When they see mc play, they may have second thoughts about their abilities." Touring is a family affair. Melendez's brother works as a sound engineer and at performances his wife promotes albums and his best-selling autobiography, A Gift of Hope. "Having them around makes my work a little easier," said Melendez. "Family has always been important to mc, they are my foundation." Musical influences come from a striking variety of performers. Melendez says he likes the music of Amy Grant, The Beatles and Little Joe and the Familia. "If I could have the talents of three people, they would have to be Michael McDonald. Dan Fogelberg, and John Denver. 1 really envy John Denver's respect for nature." said Melendez, a native of Nicaragua. Me lendcz does noi plan to gain fame and fortune from his talents, but instead is looking to gain acceptance. "I can do without the fame, I'd like lo be respected as a musician and contribute what I can to music. I hope people can say 'that's good music,' instead of 'ihat good music from a handicapped guy.'" When fans walk away from a concert, Melendez hopes ihcy are restored with a sense of hope and possibility. "I want to inspire people. I want them to get to thinking that if they can see what I can do with 10 toes, imagine what ihey can do with 10 fingers." By Chris Hiatt Dinosaur Jr. Where have you been? Atop a clouded mountain, a lone figure descends. Through the mist we see that it is a man with long flowing hair. Coming into view now is a guitar. He is playing that guitar. But not just playing it. he is working it; he iscreating beautiful noise from the heavens all by himself. This man is J Mascis and he is a guitar demi-god delivered to us through divine intervention. Thank you. Listen to"I ain't sayin" on Dinosaur Jr.'s latest record, and you'll know what I'm talking about Mascis shows off his guitar gift through the opening which can only be described as majestic, if you've never heard it before. (But, of course, after reading this review, you'll rush right out to buy it and hear for yourself. Do it!). This is Dinosaur Jr.'s fifth album, and second on a major label. Personally, I think that it ranks right up there with their best record Bug. By Chris Hiatt Special to Insight Firehose Mr. Machinery Operator Trying to capture Firehose's music in a review is a little like trying to capture a greased pig. It's hard to do. Even listening to Firehose on their new album Mr. Machinery Operator, one doesn't quite get an accurate impression of the band. Firehose is a live-playing band. They earned ihcir reputation for working hard on the road, playing live, and rocking and rolling night after night Firehose records are merely a souvenir of the live shows. If you get a chance to see them on their "48 state 'cuda bake'" tour, I suggest you don't pass it up. The band consists of the following members: Mike Watt, bass demi-god, George Hurley on drums and Ed Crawford on guitar. Describing Firehose is difficult They are a rock band with a lot of jazzy-type bass-lines and drum fills. The songs move, if that makes sense, they flow. I don't know how else to put it The lyrics are cryptic and make for interesting reading. To this Even though the band is made upoftwoother members, Masics runs the show. The first thing we see as we open the CD is "written and produced by J Mascis." From the ominous opencr"Out There" to the majestic "I ain't sayin," Where You Been 7 the music will thoroughly please and delight Mascis manages to recycle every guitar cliche and rework it into something that sounds familiar and new at the same time. The first single, "Start Choppin" starts off with a nice sou them-rock sound, then goes straight into an uneasy groove. "What else is new" goes from a giant sound to gentle acoustic at Ihe end, Mascis takes the best elements of '70s guitar-cheeziness, to hard-core, to folk, io noise, and works them all into a monumental new album. Might as well put Mascis up there on the same shelf with Johnson, Hendrix, Page, um...Clapton?,... Townsend?...how 'bout Curt Kirlcwood? date, I still don't know what half of Firehose songs are about The album opens with "Formal Introduction" which acts as a statement from Watt as to who and what he is. The song bubbles its way to the middle, where it stops and Watt says "the way I like to screw: "Screw loose!". "Blaze" is the first single and it's a good rock song featuring J Mascis of Dinosaur Jr. on wah- wah bass sola. Masics produced this Firehose record and it has a belter overall sound than some of their previous records. The benefits of recording in a nice studio with some major funds behind them definitely helps. You'll have these songs stuck in your head all day. For instance, the phrase "Rocket sled...fuel tank" is still haunting me. Go out and buy this now! Then when they come back to town, sec them live. Then become one of their disciples—fly the flannel proudly. Tony Melendez trie Paul Zamora/ Special lo Insicht up before show at Wamors Star Palace.
Object Description
Title | 1993_04 Insight April 1993 |
Alternative Title | Insight (California State University, Fresno) |
Publisher | Dept. of Journalism, California State University, Fresno. |
Publication Date | 1993 |
Description | Weekly during the school year. Vol. 1, no. 1 (Oct. 8, 1969)-v. 29, no. 23 (May 13, 1998). Ceased with May 13, 1998, issue. Title from masthead. Merged with Daily collegian. |
Subject | California State University, Fresno Periodicals |
Contributors | California State University, Fresno Dept. of Journalism |
Coverage | October 8, 1969 – May 13, 1998 |
Format | Microfilm reels, 35mm |
Technical Information | Scanned at 600 dpi; TIFF; Microfilm ScanPro 2000 “E-image data” |
Language | eng |
Description
Title | Insight Apr 21 1993 p 7 |
Alternative Title | Insight (California State University, Fresno) |
Publication Date | 1993 |
Full-Text-Search | April 21,1993 Page 7 Television violence skyrockets, may impact childrens' behavior ♦ Increased mean streak on TV draws questions about its impact on society. By Andrea Purl Staff Writer Increased mean streak in TV "I hate you!" screams Darlcnc of the CBS television show "Roscanne." "Good," said her mother, "My work on Earth is done." Gone arc the days of "Leave it to Beaver" and "The Andy Griffith Show" where family conflicts and violence went as far as Wally staying outpastcurfew and Opic accidentally killing a bird with his slingshot. Today, television depicting dysfunctional family situations such as "The Simpsons,""Married With Children," and "Roscanne" have become commonplace. This, paired with increased violence in television and movies directed towards young people, has a'armed those concerned with the influence TV may wield in society. According to a report published by the American Psychological Association, by the time an American child has left elementary school, he has watched 8,000 murders on television. This same task force concluded that TV violence can encourage aggressive behavior. Psychology ProfcssorCriss Wilhile, who has noi had a television in her home since 1977, said that shows arc not just limited to increased violence. A sense of a lack of consequences for offensive behavior is also portrayed. "Irresponsible driving is just one case," she cited, "The chase scenes where 35 cars arc wrecked often have iiu injuries. Sexual contact is the same thing." Violenceis not limited to primetime television. Movies aimed at a young audience, such as Home Alone 2 and Teenage Mutant Ninja Turtles, also are criticized by some as being too violent. Home Alone 2 grossed S33 million in its first week. The sequel contains scenes such as an electrocution and an exploding head, and at- Several teachers agreed. "Many students are aggressively rude," said Don Hall, a seventh grade instructor. Child and Family Studies Professor Vivian Kunimitsu said that all children are affected by violence and cruelty to others, but the danger is when a child is particularly susceptible to influence. traded five million viewers in its* first week in the theaters. A 1991 study of 100 children's cartoon programs by the National Coalition on Television Violence found that half the cartoons involved violence, and showed three times as many acts of violence as prime-time tclcvi- Wilhitc said that although she doesn't have a TV in her home, she has seen the programs "Married With Children" and "Roscanne." "In the 1950s, shows displayed no conflicts between family members," she said. "At first, these new type of programs was refreshing. It was kind of fun to sec how life actually is." But she did agree that this disrespectful behavior is becoming more popular with teenagers. "The child may be lacking in ego strength, and good parenting. Some parents just aren't doing a good job." The childmayalsobc influenced by other factors, such as violence in the home. Several groups have united to expand children's programming. Ac- lion for Children's Television has convinced Congress to pass the Children's Television Act of 1990. The act stipulates that broadcasters have to serve the "educational and information needs" of children or face the risk of losing their broadcast licenses. A review by consumer groups of 58 stations in August revealed that none of the stations had produced new programs designed for children. The sta tions had just re-labelled the existing programming, such as cartoons, as "educational." Although the act has not provided the anticipated result, Kunimitsu said the she has observed an improvement in the situation. "I do sec good programs, such as the afierschool programs. These programs are aimed at school-age children." Kunimitsu said that parents can help their children by being aware of what programs children are watching. This starts early and takes a lot of time, but can start when children arc pre-schoolers. "Parents should teach children to settle arguments without violence." she said. "And try to get children to recognize violence, try to put it into perspective." Wilhitc agreed. "You either have two choices," she said, "you can cither not expose them to the shows, or just monitor what they watch." "I can't believe the violence and the plain rudeness of television," said Susan Graham, mother of two children ages 5 and 7. "There is no way to judge what will come on next. I can't let my children watch anything without worrying about the influence." Kunimitsu said that forbidding children to watch a violent program, or play with violent toys often leads to the opposite effect. "This begins as an obsession," she said, "if you forbid your child to play with toy guns, as soon as they arc at a friends house, they go straight for the toy guns." "A good way to help children," she said, "is to monitor the shows. But unfortunately, most parents don't monitor iL" Fen ando Tejada/ Insight Artist excels despite disability ♦ Musician hopes to inspire others with hope of possibilities. By Cristina Medina Staff Writer The curtain at the Wamor Theatre is raised, from the dim smoky light appears a solo artist sitting uncomfortably in a folding chair. With a guitar at his feet and a microphone perched in front of him, Tony Melendez is ready to perform. Although a birth defect left Melendez without arms, it has not limited his success in becoming an accomplished guitarist. After playing for Pope John Paul II during his visit to Los Angeles in 1987, Melendez's career soared. "Playing for the Pope was the highest honor anyone could give me." said Melendez, a devout Catholic. "He came off the stage and kissed me and since then my life hasn't been the same." Melendez tours 15-20 days out of the month playing arenas, universities and making television appearances. He has maintained his commitment to God through his music. "God is the most important person in my life. I try to spread the message of self worth and tell people how great it is to be alive," said Melendez, who has released two Christian albums and recorded an album for children. Having toured the United States, Europe and South America, Melendez says people have come to regard him as an advocate for the handicapped. "People are always amazed when they sec what I can do. Visually, it is a good thing for people to experience," said Melendez. 31, "In some countries the handicapped arc locked away in their houses and viewed as a menace to society. When they see mc play, they may have second thoughts about their abilities." Touring is a family affair. Melendez's brother works as a sound engineer and at performances his wife promotes albums and his best-selling autobiography, A Gift of Hope. "Having them around makes my work a little easier," said Melendez. "Family has always been important to mc, they are my foundation." Musical influences come from a striking variety of performers. Melendez says he likes the music of Amy Grant, The Beatles and Little Joe and the Familia. "If I could have the talents of three people, they would have to be Michael McDonald. Dan Fogelberg, and John Denver. 1 really envy John Denver's respect for nature." said Melendez, a native of Nicaragua. Me lendcz does noi plan to gain fame and fortune from his talents, but instead is looking to gain acceptance. "I can do without the fame, I'd like lo be respected as a musician and contribute what I can to music. I hope people can say 'that's good music,' instead of 'ihat good music from a handicapped guy.'" When fans walk away from a concert, Melendez hopes ihcy are restored with a sense of hope and possibility. "I want to inspire people. I want them to get to thinking that if they can see what I can do with 10 toes, imagine what ihey can do with 10 fingers." By Chris Hiatt Dinosaur Jr. Where have you been? Atop a clouded mountain, a lone figure descends. Through the mist we see that it is a man with long flowing hair. Coming into view now is a guitar. He is playing that guitar. But not just playing it. he is working it; he iscreating beautiful noise from the heavens all by himself. This man is J Mascis and he is a guitar demi-god delivered to us through divine intervention. Thank you. Listen to"I ain't sayin" on Dinosaur Jr.'s latest record, and you'll know what I'm talking about Mascis shows off his guitar gift through the opening which can only be described as majestic, if you've never heard it before. (But, of course, after reading this review, you'll rush right out to buy it and hear for yourself. Do it!). This is Dinosaur Jr.'s fifth album, and second on a major label. Personally, I think that it ranks right up there with their best record Bug. By Chris Hiatt Special to Insight Firehose Mr. Machinery Operator Trying to capture Firehose's music in a review is a little like trying to capture a greased pig. It's hard to do. Even listening to Firehose on their new album Mr. Machinery Operator, one doesn't quite get an accurate impression of the band. Firehose is a live-playing band. They earned ihcir reputation for working hard on the road, playing live, and rocking and rolling night after night Firehose records are merely a souvenir of the live shows. If you get a chance to see them on their "48 state 'cuda bake'" tour, I suggest you don't pass it up. The band consists of the following members: Mike Watt, bass demi-god, George Hurley on drums and Ed Crawford on guitar. Describing Firehose is difficult They are a rock band with a lot of jazzy-type bass-lines and drum fills. The songs move, if that makes sense, they flow. I don't know how else to put it The lyrics are cryptic and make for interesting reading. To this Even though the band is made upoftwoother members, Masics runs the show. The first thing we see as we open the CD is "written and produced by J Mascis." From the ominous opencr"Out There" to the majestic "I ain't sayin," Where You Been 7 the music will thoroughly please and delight Mascis manages to recycle every guitar cliche and rework it into something that sounds familiar and new at the same time. The first single, "Start Choppin" starts off with a nice sou them-rock sound, then goes straight into an uneasy groove. "What else is new" goes from a giant sound to gentle acoustic at Ihe end, Mascis takes the best elements of '70s guitar-cheeziness, to hard-core, to folk, io noise, and works them all into a monumental new album. Might as well put Mascis up there on the same shelf with Johnson, Hendrix, Page, um...Clapton?,... Townsend?...how 'bout Curt Kirlcwood? date, I still don't know what half of Firehose songs are about The album opens with "Formal Introduction" which acts as a statement from Watt as to who and what he is. The song bubbles its way to the middle, where it stops and Watt says "the way I like to screw: "Screw loose!". "Blaze" is the first single and it's a good rock song featuring J Mascis of Dinosaur Jr. on wah- wah bass sola. Masics produced this Firehose record and it has a belter overall sound than some of their previous records. The benefits of recording in a nice studio with some major funds behind them definitely helps. You'll have these songs stuck in your head all day. For instance, the phrase "Rocket sled...fuel tank" is still haunting me. Go out and buy this now! Then when they come back to town, sec them live. Then become one of their disciples—fly the flannel proudly. Tony Melendez trie Paul Zamora/ Special lo Insicht up before show at Wamors Star Palace. |