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6 Hye Sharzhoom May 1997 Author Introduces New Book-Zero Coupon By Jacqueline Arikian On March 10th, on the campus of California State University, Fresno, Professor Michael Krekorian of UCRiverside made his way to the front of a crowded classroom filled with eager students. A bearded man dressed in jeans and a sports coat, he seated himself on top ofthe desk in the front ofthe room and began to read an excerpt fromhis latest prize winning novel, Channel Zero. The futuristic book, which loosely involves the struggle of an advertising executive named Zero Coupon, was essentially inspired through the world around him. Through his observations of television and popular media slogans, Krekorian was able to create a storyline which metaphori cally described the coming destruction of the world. This somewhat pessimistic portrayal is a sign of what we are currently amidst and the dismal nature which it causes. The current work of this post-modern writer is not very story oriented, rather, it is a cross between fiction and poetry. In a unique fashion, Krekorian created a story in a poetic manner and achieved a stylistic unity which was immediately apparent through the tone in his voice as he read the words of his thought provoking creation. "Free is a word described by laws and regulations," he said. And as those words seeped out of his lips, his audience couldn't help but contemplate the truth in all he had to say, in all he had formulated through his careful societal obser- • Michael Krekorian vations. Mesmerized by his in sight, the listeners were eager to hear the words which he had to offer, words which simply flowed over the reader due to its loose sense of tone and attitude. Krekorian struggled to create a novel who's style carried on the work. However, the difficulty of this task lied in the fad that the work essentially depended on the style due to the lack of narration. With or without narration, certain aspects of Channel Zero were reflective of the message in Orwell' s 1984, a grim novel on the dismal-future of America. ' Providing insight on the overseen fact that infomercials place more emphasis on the presentation of a product rather than the importance of the product, Krekorian presented a parallel to the constant control of Orwell^s Big Brother. Further illustrating this point, Krekorian discussed the latest technological advance of credit cards. To most people, the abolition of money in replacement for credit cards is an added convenience to life. Realistically however, it is the theft of privacy, where one's records and transactions are exposed to the world. Despite Krekorian' s internal struggle in creating this novel and its parallel to 1984, it is evident that his futuristic message is loud and clear, perhaps a bit too loud and clear for those of us who heard the deafening whispers ofthe words which trickled out of his mouth on that Monday afternoon. Mamikonian Concert Review Vardan Mamikonian, second from right, with Dr. Andreas Werz, director of the Keyboard Concert, far right, and Dr. and Mrs. Dickran Kouymjian on the left. RAISIN, continued from page 3 with other cultures. Interestingly, the intermarriage rate dropped in 1990 to 68% of 63 marriages; this decline was due to an influx of Armenian immigrants in the 1980s. Jendian found that the American born children of Armenian born parents are three times more likely to marry non- Armenians than American born children of non-American born parents. Vaughn Koligian, Chief Executive Officer ofthe Raisin Bargaining Association (RBA), gave a speech on The History & Role ofthe Raisin Bargaining Association. Koligian stated that California produces 75% of the world's dark raisins and 45% of the world dried fruit. He explained how it became necessary to organize a collective bargaining association to restore order to the sale of raisins by farmers. The Raisin Bargaining Association was established according to terms of the Capper-Volsted Act (1922) which allowed farmers to unite to form a bargaining association. Led by Ernest Bedrosian, the RBA was set up in 1965, but at first, many growers were reluctant to sign with the RBA. Today the RBA is a nonprofit organization with 2,000 raisin farmers in the San Joaquin Valley. Dr. Victor Davis Hanson, Professor of Classics at CSU Fresno discussed, Armenian Agrarians as seen by non-Armenians. Dr. Hanson began by saying that no one had done more for the raisin industry than the Armenians, except for Mexican-Americans. He referred to hard work as the foundation of successful farming, at least in the past. In discussing discrimination against Armenians in the Central Valley, Hanson raised the issue of envy. He also noted that Armenians sometimes expanded their farming operations to include agribusiness and this often ran counter to the North European Protestant agrarian work ethic. During the question and answer period which followed each session the debate was lively. In her concluding remarks, Dr. Kaprielian suggested avenues for research and collaboration. "Aside from the need to examine more fully the Armenian experience in Fresno, we must also study the relationship between Armenians and other groups." She said, "For instance, we should work on the Mexican Armenian connection, not only with respect to employer/employee relations, but also with respect to the role Mexico played in the immigration of Armenians to California." Dr. Warren Gade, Chairman of History at CSUF, thanked the audience for attending, and in closing the proceedings commented on how well the symposium had been received. In an interview following the symposium, Dr. Kaprielian spoke on the possibility of publishing the proceedings. She expressed the need to collect photographs, diaries, old accounts, books, advertisements, letters, and other memorabilia to be included in such a publication. By Steven E. Gilbert Professor of Music CSU Fresno (Reprinted from the Fresno Bee) The final installment of this year's Philip Lorenz Memorial Keyboard Concerts at Fresno State, jointly sponsored by the university's Armenian Studies Program and the Hamazkayin Armenian Cultural and Educational Society, had the added significance of coinciding with the anniversary of the Armenian Genocide. It featured Vardan Mamikonian, a remarkable pianist born 26 years ago in Yerevan, Armenia, who now lives in Paris. At the center of the program were the complete "Gaspard de la Nuit" of Ravel and an entire opus of Chopin etudes. Neither is an everyday occurrence; the quality ofthe performance was even rarer. The Ravel, fiendish in subject matter as well as pianistic difficulty, communicated an eerieexcitement- suppressed fistfuls of notes in "Ondine," the sinister, evenly repeated gallows motif in "Le Gibet," and the wicked scamperings of "Scarbo." Chopin's second set of 12 etudes, Op. 25, includes several that are often played singly, perhaps as encores, but it takes a certain command and concentration to play the whole dozen in succession. Each was executed brilliantly, with control and bravura in all the right, respective places. The performance was marred only by insistent rounds of applause fromhalf . the audience, which kept missing the cue from the other half that the place for ovation was at the end of the set. ■ That there was, and a standing one, even though Mamikonian had another piece to play. This, theif Andante Spianato and Grand Polonaise," also by Chopin, was a perfect built-in encore, just as Debussy's "Estampes" provided • the perfect prelude. More on April 24th By Aznive Tchapadarian AHA- these are the call letters for the Armenian Youth groups that came together for the first time this year to commemorate the 82nd Anniversary ofthe Armenian Genocide. AHA stands for Armenian Students Organization, Homenetmen, and Armenian Youth Federation. To start the week-long commemoration activities, a play and poetry reading were performed on Saturday, April 19, 1997 at the Hagopian Center. About 6:30 the program started with the youngest ofthe Homenetmen scouts reciting a poem "Argadz Jrak" (Sad Lantern) by Daniel Varoujan. It was music to my ears listening to the scouts recite in Armenian, in sync with one another. It was beautifully done. After the poem, the teenage scouts ofthe Homenetmen, re-enacted a narrated play by Siamanto, the narrators of the play were various members ofthe AHA. The Scouts re-enacted the atrocities that occurred during the Genocide, to the women, children and men. Of course the re-enactment could never measure up to the real brutality that occurred. Crissi Jelladian read a few lines from a William Saroyan short, "The Armenian and The Armenian," which relayed the message that Armenians will never die, for anyone who tries to destroy us or our culture will only make us, the Armenians, stronger. We will unite together to live Steve Samuelian giving his speech at Ararat Cemetery long and prosperous lives. After all the hard work that every one placed in this event, we ended the evening by having a bon-fire in remembrance of the 1,500,000 Armenians who were murdered and massacred. With the strong winds, and the amazing sunset behind the bon-fire I felt as though the spirits of the departed were with us and giving us their blessing, to continually fight for justice and remember their lives. Ararat Cemetery, was the site of the second commemoration event, which took place on Sunday April 20, 1997. It was 10:00 o'clock and it felt as though the tempgfature was already over a hundred degrees. The sun, attacking our black, matching tee-shirts, was draining our energy, but we were working vigorously to prepare for the event. This was the most important event, because it was held at the memorial site for the Armenian Genocide, Ararat Massis Cemetery. The various Armenian Youth Organizations arrived early in the morning to start to set up for the days events, by cutting carnations and tying ribbons to be distributed to the people. Various members of the youth groups spoke in terms of what this day meant to them and how it felt to be an American Armenian, first generation or second generation. We have a culture and religion that is our tie. Steve Samuelian stated that "we need to remember and educate the public of the Genocide." Mr. Samuelian stated "In 1991, only six years ago, a genocide was attempted again in Karabagh. They knocked on your door and if they found out that you were Armenian, they killed you on the spot. WE need to remember mis day and educate the public, so that this type of violence does not occur again, not just for the Armenian people but for man kind.
Object Description
Title | 1997_05 Hye Sharzhoom Newspaper May 1997 |
Alternative Title | Armenian Action, Vol. 18 No. 4, May 1997; Ethnic Supplement to the Collegian. |
Publisher | Armenian Studies Program, California State University, Fresno. |
Publication Date | 1997 |
Description | Published two to four times a year. The newspaper of the California State University, Fresno Armenian Students Organization and Armenian Studies Program. |
Subject | California State University, Fresno – Periodicals. |
Contributors | Armenian Studies Program; Armenian Students Organization, California State University, Fresno. |
Coverage | 1979-2014 |
Format | Newspaper print |
Language | eng |
Full-Text-Search | Scanned at 200-360 dpi, 18-bit greyscale - 24-bit color, TIFF or PDF. PDFs were converted to TIF using Adobe Acrobat 9 Pro. |
Description
Title | May 1997 Page 6 |
Full-Text-Search | 6 Hye Sharzhoom May 1997 Author Introduces New Book-Zero Coupon By Jacqueline Arikian On March 10th, on the campus of California State University, Fresno, Professor Michael Krekorian of UCRiverside made his way to the front of a crowded classroom filled with eager students. A bearded man dressed in jeans and a sports coat, he seated himself on top ofthe desk in the front ofthe room and began to read an excerpt fromhis latest prize winning novel, Channel Zero. The futuristic book, which loosely involves the struggle of an advertising executive named Zero Coupon, was essentially inspired through the world around him. Through his observations of television and popular media slogans, Krekorian was able to create a storyline which metaphori cally described the coming destruction of the world. This somewhat pessimistic portrayal is a sign of what we are currently amidst and the dismal nature which it causes. The current work of this post-modern writer is not very story oriented, rather, it is a cross between fiction and poetry. In a unique fashion, Krekorian created a story in a poetic manner and achieved a stylistic unity which was immediately apparent through the tone in his voice as he read the words of his thought provoking creation. "Free is a word described by laws and regulations," he said. And as those words seeped out of his lips, his audience couldn't help but contemplate the truth in all he had to say, in all he had formulated through his careful societal obser- • Michael Krekorian vations. Mesmerized by his in sight, the listeners were eager to hear the words which he had to offer, words which simply flowed over the reader due to its loose sense of tone and attitude. Krekorian struggled to create a novel who's style carried on the work. However, the difficulty of this task lied in the fad that the work essentially depended on the style due to the lack of narration. With or without narration, certain aspects of Channel Zero were reflective of the message in Orwell' s 1984, a grim novel on the dismal-future of America. ' Providing insight on the overseen fact that infomercials place more emphasis on the presentation of a product rather than the importance of the product, Krekorian presented a parallel to the constant control of Orwell^s Big Brother. Further illustrating this point, Krekorian discussed the latest technological advance of credit cards. To most people, the abolition of money in replacement for credit cards is an added convenience to life. Realistically however, it is the theft of privacy, where one's records and transactions are exposed to the world. Despite Krekorian' s internal struggle in creating this novel and its parallel to 1984, it is evident that his futuristic message is loud and clear, perhaps a bit too loud and clear for those of us who heard the deafening whispers ofthe words which trickled out of his mouth on that Monday afternoon. Mamikonian Concert Review Vardan Mamikonian, second from right, with Dr. Andreas Werz, director of the Keyboard Concert, far right, and Dr. and Mrs. Dickran Kouymjian on the left. RAISIN, continued from page 3 with other cultures. Interestingly, the intermarriage rate dropped in 1990 to 68% of 63 marriages; this decline was due to an influx of Armenian immigrants in the 1980s. Jendian found that the American born children of Armenian born parents are three times more likely to marry non- Armenians than American born children of non-American born parents. Vaughn Koligian, Chief Executive Officer ofthe Raisin Bargaining Association (RBA), gave a speech on The History & Role ofthe Raisin Bargaining Association. Koligian stated that California produces 75% of the world's dark raisins and 45% of the world dried fruit. He explained how it became necessary to organize a collective bargaining association to restore order to the sale of raisins by farmers. The Raisin Bargaining Association was established according to terms of the Capper-Volsted Act (1922) which allowed farmers to unite to form a bargaining association. Led by Ernest Bedrosian, the RBA was set up in 1965, but at first, many growers were reluctant to sign with the RBA. Today the RBA is a nonprofit organization with 2,000 raisin farmers in the San Joaquin Valley. Dr. Victor Davis Hanson, Professor of Classics at CSU Fresno discussed, Armenian Agrarians as seen by non-Armenians. Dr. Hanson began by saying that no one had done more for the raisin industry than the Armenians, except for Mexican-Americans. He referred to hard work as the foundation of successful farming, at least in the past. In discussing discrimination against Armenians in the Central Valley, Hanson raised the issue of envy. He also noted that Armenians sometimes expanded their farming operations to include agribusiness and this often ran counter to the North European Protestant agrarian work ethic. During the question and answer period which followed each session the debate was lively. In her concluding remarks, Dr. Kaprielian suggested avenues for research and collaboration. "Aside from the need to examine more fully the Armenian experience in Fresno, we must also study the relationship between Armenians and other groups." She said, "For instance, we should work on the Mexican Armenian connection, not only with respect to employer/employee relations, but also with respect to the role Mexico played in the immigration of Armenians to California." Dr. Warren Gade, Chairman of History at CSUF, thanked the audience for attending, and in closing the proceedings commented on how well the symposium had been received. In an interview following the symposium, Dr. Kaprielian spoke on the possibility of publishing the proceedings. She expressed the need to collect photographs, diaries, old accounts, books, advertisements, letters, and other memorabilia to be included in such a publication. By Steven E. Gilbert Professor of Music CSU Fresno (Reprinted from the Fresno Bee) The final installment of this year's Philip Lorenz Memorial Keyboard Concerts at Fresno State, jointly sponsored by the university's Armenian Studies Program and the Hamazkayin Armenian Cultural and Educational Society, had the added significance of coinciding with the anniversary of the Armenian Genocide. It featured Vardan Mamikonian, a remarkable pianist born 26 years ago in Yerevan, Armenia, who now lives in Paris. At the center of the program were the complete "Gaspard de la Nuit" of Ravel and an entire opus of Chopin etudes. Neither is an everyday occurrence; the quality ofthe performance was even rarer. The Ravel, fiendish in subject matter as well as pianistic difficulty, communicated an eerieexcitement- suppressed fistfuls of notes in "Ondine," the sinister, evenly repeated gallows motif in "Le Gibet," and the wicked scamperings of "Scarbo." Chopin's second set of 12 etudes, Op. 25, includes several that are often played singly, perhaps as encores, but it takes a certain command and concentration to play the whole dozen in succession. Each was executed brilliantly, with control and bravura in all the right, respective places. The performance was marred only by insistent rounds of applause fromhalf . the audience, which kept missing the cue from the other half that the place for ovation was at the end of the set. ■ That there was, and a standing one, even though Mamikonian had another piece to play. This, theif Andante Spianato and Grand Polonaise," also by Chopin, was a perfect built-in encore, just as Debussy's "Estampes" provided • the perfect prelude. More on April 24th By Aznive Tchapadarian AHA- these are the call letters for the Armenian Youth groups that came together for the first time this year to commemorate the 82nd Anniversary ofthe Armenian Genocide. AHA stands for Armenian Students Organization, Homenetmen, and Armenian Youth Federation. To start the week-long commemoration activities, a play and poetry reading were performed on Saturday, April 19, 1997 at the Hagopian Center. About 6:30 the program started with the youngest ofthe Homenetmen scouts reciting a poem "Argadz Jrak" (Sad Lantern) by Daniel Varoujan. It was music to my ears listening to the scouts recite in Armenian, in sync with one another. It was beautifully done. After the poem, the teenage scouts ofthe Homenetmen, re-enacted a narrated play by Siamanto, the narrators of the play were various members ofthe AHA. The Scouts re-enacted the atrocities that occurred during the Genocide, to the women, children and men. Of course the re-enactment could never measure up to the real brutality that occurred. Crissi Jelladian read a few lines from a William Saroyan short, "The Armenian and The Armenian," which relayed the message that Armenians will never die, for anyone who tries to destroy us or our culture will only make us, the Armenians, stronger. We will unite together to live Steve Samuelian giving his speech at Ararat Cemetery long and prosperous lives. After all the hard work that every one placed in this event, we ended the evening by having a bon-fire in remembrance of the 1,500,000 Armenians who were murdered and massacred. With the strong winds, and the amazing sunset behind the bon-fire I felt as though the spirits of the departed were with us and giving us their blessing, to continually fight for justice and remember their lives. Ararat Cemetery, was the site of the second commemoration event, which took place on Sunday April 20, 1997. It was 10:00 o'clock and it felt as though the tempgfature was already over a hundred degrees. The sun, attacking our black, matching tee-shirts, was draining our energy, but we were working vigorously to prepare for the event. This was the most important event, because it was held at the memorial site for the Armenian Genocide, Ararat Massis Cemetery. The various Armenian Youth Organizations arrived early in the morning to start to set up for the days events, by cutting carnations and tying ribbons to be distributed to the people. Various members of the youth groups spoke in terms of what this day meant to them and how it felt to be an American Armenian, first generation or second generation. We have a culture and religion that is our tie. Steve Samuelian stated that "we need to remember and educate the public of the Genocide." Mr. Samuelian stated "In 1991, only six years ago, a genocide was attempted again in Karabagh. They knocked on your door and if they found out that you were Armenian, they killed you on the spot. WE need to remember mis day and educate the public, so that this type of violence does not occur again, not just for the Armenian people but for man kind. |