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Page 6 Hye Sharzhoom April, 1980 Vigil: April 24th service Discusses animal-headed figures continued from page 1 from sharing with their fellow students a fuller understanding of the Turkish crime against our people. The ASO hopes that future conflicts can be avoided. We would appreciate your acknowledgement in this matter. Thank you. Sincerely, John Tufenkjian, ASO President Barlow Der Mugrdechian, Former ASO President Bryan Bedrosian, Former ASO President The ASO's letter and Weber's reply were printed in both campus newspapers. In her response, Weber repeated the administration's concern over the "heavily congested free-speech area" but said that she would be willing to "work with the ASO to schedule an appropriate observance." ASO executive members brought their case before Weber on Wednesday, March 19, discussing their planned vigil for nearly an hour. At the meeting Bedrosian explained that the vigil has two purposes - to commemorate and to inform. "The ASO hopes to expose as many people as possible to the horror of the Armenian Genocide and the free- speech area at noon on April 24 affords that opportunity," he said. Weber, however, remained firm. She said that the ASO could "possibly" conduct its vigil at 3 p.m., after traffic in the free-speech area resumes its normal flow, but noon was strictly reserved for Vintage Days. The two sides of the April 24 question were examined in a "Daily Collegian" article on Friday, March 21. ASO President Tufenkjian captured the significance of April 24 for Armenian youth. "We can't enjoy Vintage Days - we are the victims of what happened 65 years ago," he said. The article detailed the historical background of the Genocide, quoting Bedrosian, and noted the Turkish -government's refusal to acknowledge their crime. On the other side of the issue, the administration maintained its hard-line stance on the use of the free-speech area but suggested that a compromise could be reached. "It's just a simple logistics issue," said Robert Lundal, Student Affairs Advisor. "It's just a simple question of that particular area not being available at that time (noon)," he said. Corcoran, however, believes that there is room on the free-speech area for both activities on April 24 and expressed his sympathy for the Armenian cause at a March 24 meeting with ASO representatives - the first significant breakthrough in the impasse. Corcoran was tentative in his support of the ASO' s vigil but said he would pursue the matter further. At Friday's meeting, with Lundal in attendance, Corcoran mapped out the Vintage Days parade rout and marked possible sites for the ASO's vigil. The vigil area accepted by the ASO is appox- imately 75 feet from the center of the free-speach area. Corcoran and the ASO will meet again Wednesday, April 9, to work our further details. Kouymjian honored by NYU >s34rmetuati Featuring: Opera Star Ara Berberian CSUF Orchestra FCC Chorus CSUF Wind Ensemble Prof. Dickran Kouymjian - Speaker THURS, APRIL 24, 8 PM tyresno (indention Center Theatre 700 "M" Street. Fresno TICKETS '60° adults, \J.00 senior citizens and students Available at Convention Center Box Office and at all regular outlets. gmm By Ruth Thomason Some years ago, I was wandering through Greenwich Village. I was pleasantly surprised to come upon a building of New York University with an Armenian name on it. Eagerly, I entered the Hagop Kevorkian Center for Near Eastern Studies. The lobby was designed around parts of an 18th century Damascus home of a wealthy Moslem merchant family using Italian marble in what might be called Islamic Rococco style. An announcement board listed the week's activities — nothing pertaining to Armenian studies. I left disappointed. I wanted to learn about things Armenian, and what better place could there be than a building bearing the name of an Armenian? I was pleased, therefore, when I received word of a series of four illustrated lectures by Dr. Dickran Kouymjian, professor of Armenian History and Art at CSU Fresno, set at the Hagop Kevorkian Center in December 1979. Kouymjian's topic, "Continuity and Diversity in Armenian Art: The Iconography of Pentecost," marks the first time the Kevorkian lectureship has dealt with an Armenian topic and the first time an Armenian has been invited to present the lectures. For more than a decade, Kouymjian has been interested in the artistic depiction of Pentecost, the Christian holiday which falls 50 days after the Resurrection of Christ (Easter Sunday). The major biblical text in the Acts of the Apostles explains that on the 50th day, the 12 disciples were gathered together in an upper room when "there appeared unto them cloven tongues like as of fire, and it sat upon each of them. And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance." (Acts 2:3,4). Thus were the disciples each able to speak the language of the people to whom they were to spread the word of Christ. The basic elements or "iconography" of pentecostal representations include the 12 disciples seated in an upper room around a table, the Holy Spirit in the form of a dove radiating the power to speak foreign languages, a throne representing Christ and peoples of various nations to whom the disciples would go to preach. In the first lecture, entitled, "The Iconography of Pentecost and Its Uniquely Armenian Features," Kouymjian gave a general overview of Pentecost in various artistic traditions such as Syriac and Byzantine. He then introduced the earliest Armenian representations of Pentecost known to exist, a fresco now in crumbling condition at the Church of Aghtamar (915-921 A.D.) at Lake Van in historic Armenia. Among the 150 Armenian Pentecosts Kouymjian has studied, a variety of styles and iconographies are found, some continuing into the 17th century, others occurring only once. However, in the 13th century, in some manuscript illuminations, an animal- headed figure begins to appear in the section representing the peoples to whom the disciples went to preach. Kouymjian discussed these uniquely Armenian animal-headed figures and the "Metamorphosis of a King" in his second lecture. Early in his research, he had tried to establish a relationship between the animal-headed figures and the legend of the Armenian King Trdat's conversion to Christianity in the early 4th century. The story is that the pagan king was turned into a wild pig after he had massacred a group of Christian virgins, and that it was the Christian evangelist, Gregory the Illuminator, who purged Trdat of his animal form and made him human again. The grateful king then established Christianity as the official religion of Armenia. In his third lecture, "Dogs among Men and a Man among Dogs: St. Andrew and the Cynocephali," Kouymjian indicated he was no longer confident of the King Trdat theory. He feels the traditional identification of the figure as a dog-headed (cynocephalous) is correct in most cases where only a single head is evident; double-headed figues (man and animal) still require explanation. Kouymjian has developed his interpretation based on the theory that early authors, in discussing the missionary activity of the Apostle Andrew to the "land of the dog-head" (beit kalbin in Syriac texts) had confused the term "kalb" (dog) with Banu Kalb, the name of an important Arab tribe which converted to Christianity in the 5th or 6th century. He illustrated this point with a slide of a pentecostal miniature from the Haroutune Hazarian collection. This single-page, unbound miniature, dated 1477, with a central figure whose head is rendered like that of a setter, has at both top and bottom of the page the Armenian words "Arabatsin", and "Shanaglukh" (dog-headed), respectively. Kouymjian feels that these inscriptions relate convincingly to the ministry of Andrew among the Arabs. Kouymjian completed his series of lectures discussing the Armenian tradition of miniature painting as it relates to the iconography of Pentecosts. The Hagop Kevorkian Lectureship in Near Eastern Art and Civilization came home, so to speak, as it provided a forum for Armenian research to be shared with the public. Armenian Action Editors — Mark Malkasian, Bill Erysian Staff — Barlow Der Mugrdechian, Warren Paboojian, Bryan Bedrosian, Cindy Avakian, Flora Tchader- jian, Mark Najarian, Mark Arax, Mara! Tchaderjian, Bill Sahatdjian. Ad Manager — Jim Malkasian Advisor — Dr. Dickran Kouymjian The "Hye Sharzhoom" is the official publication of the CSUF Armenian Students Organization. Articles may be reprinted provided the "Hye Sharzhoom", CSUF, is acknowledged. Armenian Studies Program CSUF Fresno, CA 93740 -
Object Description
Title | 1980_04 Hye Sharzhoom Newspaper April 1980 |
Alternative Title | Armenian Action, Vol. 2 No. 3, April 1980; Ethnic Supplement to the Collegian. |
Publisher | Armenian Studies Program, California State University, Fresno. |
Publication Date | 1980 |
Description | Published two to four times a year. The newspaper of the California State University, Fresno Armenian Students Organization and Armenian Studies Program. |
Subject | California State University, Fresno – Periodicals. |
Contributors | Armenian Studies Program; Armenian Students Organization, California State University, Fresno. |
Coverage | 1979-2014 |
Format | Newspaper print |
Language | eng |
Full-Text-Search | Scanned at 200-360 dpi, 18-bit greyscale - 24-bit color, TIFF or PDF. PDFs were converted to TIF using Adobe Acrobat 9 Pro. |
Description
Title | April 1980 Page 6 |
Full-Text-Search | Page 6 Hye Sharzhoom April, 1980 Vigil: April 24th service Discusses animal-headed figures continued from page 1 from sharing with their fellow students a fuller understanding of the Turkish crime against our people. The ASO hopes that future conflicts can be avoided. We would appreciate your acknowledgement in this matter. Thank you. Sincerely, John Tufenkjian, ASO President Barlow Der Mugrdechian, Former ASO President Bryan Bedrosian, Former ASO President The ASO's letter and Weber's reply were printed in both campus newspapers. In her response, Weber repeated the administration's concern over the "heavily congested free-speech area" but said that she would be willing to "work with the ASO to schedule an appropriate observance." ASO executive members brought their case before Weber on Wednesday, March 19, discussing their planned vigil for nearly an hour. At the meeting Bedrosian explained that the vigil has two purposes - to commemorate and to inform. "The ASO hopes to expose as many people as possible to the horror of the Armenian Genocide and the free- speech area at noon on April 24 affords that opportunity," he said. Weber, however, remained firm. She said that the ASO could "possibly" conduct its vigil at 3 p.m., after traffic in the free-speech area resumes its normal flow, but noon was strictly reserved for Vintage Days. The two sides of the April 24 question were examined in a "Daily Collegian" article on Friday, March 21. ASO President Tufenkjian captured the significance of April 24 for Armenian youth. "We can't enjoy Vintage Days - we are the victims of what happened 65 years ago," he said. The article detailed the historical background of the Genocide, quoting Bedrosian, and noted the Turkish -government's refusal to acknowledge their crime. On the other side of the issue, the administration maintained its hard-line stance on the use of the free-speech area but suggested that a compromise could be reached. "It's just a simple logistics issue," said Robert Lundal, Student Affairs Advisor. "It's just a simple question of that particular area not being available at that time (noon)," he said. Corcoran, however, believes that there is room on the free-speech area for both activities on April 24 and expressed his sympathy for the Armenian cause at a March 24 meeting with ASO representatives - the first significant breakthrough in the impasse. Corcoran was tentative in his support of the ASO' s vigil but said he would pursue the matter further. At Friday's meeting, with Lundal in attendance, Corcoran mapped out the Vintage Days parade rout and marked possible sites for the ASO's vigil. The vigil area accepted by the ASO is appox- imately 75 feet from the center of the free-speach area. Corcoran and the ASO will meet again Wednesday, April 9, to work our further details. Kouymjian honored by NYU >s34rmetuati Featuring: Opera Star Ara Berberian CSUF Orchestra FCC Chorus CSUF Wind Ensemble Prof. Dickran Kouymjian - Speaker THURS, APRIL 24, 8 PM tyresno (indention Center Theatre 700 "M" Street. Fresno TICKETS '60° adults, \J.00 senior citizens and students Available at Convention Center Box Office and at all regular outlets. gmm By Ruth Thomason Some years ago, I was wandering through Greenwich Village. I was pleasantly surprised to come upon a building of New York University with an Armenian name on it. Eagerly, I entered the Hagop Kevorkian Center for Near Eastern Studies. The lobby was designed around parts of an 18th century Damascus home of a wealthy Moslem merchant family using Italian marble in what might be called Islamic Rococco style. An announcement board listed the week's activities — nothing pertaining to Armenian studies. I left disappointed. I wanted to learn about things Armenian, and what better place could there be than a building bearing the name of an Armenian? I was pleased, therefore, when I received word of a series of four illustrated lectures by Dr. Dickran Kouymjian, professor of Armenian History and Art at CSU Fresno, set at the Hagop Kevorkian Center in December 1979. Kouymjian's topic, "Continuity and Diversity in Armenian Art: The Iconography of Pentecost," marks the first time the Kevorkian lectureship has dealt with an Armenian topic and the first time an Armenian has been invited to present the lectures. For more than a decade, Kouymjian has been interested in the artistic depiction of Pentecost, the Christian holiday which falls 50 days after the Resurrection of Christ (Easter Sunday). The major biblical text in the Acts of the Apostles explains that on the 50th day, the 12 disciples were gathered together in an upper room when "there appeared unto them cloven tongues like as of fire, and it sat upon each of them. And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance." (Acts 2:3,4). Thus were the disciples each able to speak the language of the people to whom they were to spread the word of Christ. The basic elements or "iconography" of pentecostal representations include the 12 disciples seated in an upper room around a table, the Holy Spirit in the form of a dove radiating the power to speak foreign languages, a throne representing Christ and peoples of various nations to whom the disciples would go to preach. In the first lecture, entitled, "The Iconography of Pentecost and Its Uniquely Armenian Features," Kouymjian gave a general overview of Pentecost in various artistic traditions such as Syriac and Byzantine. He then introduced the earliest Armenian representations of Pentecost known to exist, a fresco now in crumbling condition at the Church of Aghtamar (915-921 A.D.) at Lake Van in historic Armenia. Among the 150 Armenian Pentecosts Kouymjian has studied, a variety of styles and iconographies are found, some continuing into the 17th century, others occurring only once. However, in the 13th century, in some manuscript illuminations, an animal- headed figure begins to appear in the section representing the peoples to whom the disciples went to preach. Kouymjian discussed these uniquely Armenian animal-headed figures and the "Metamorphosis of a King" in his second lecture. Early in his research, he had tried to establish a relationship between the animal-headed figures and the legend of the Armenian King Trdat's conversion to Christianity in the early 4th century. The story is that the pagan king was turned into a wild pig after he had massacred a group of Christian virgins, and that it was the Christian evangelist, Gregory the Illuminator, who purged Trdat of his animal form and made him human again. The grateful king then established Christianity as the official religion of Armenia. In his third lecture, "Dogs among Men and a Man among Dogs: St. Andrew and the Cynocephali," Kouymjian indicated he was no longer confident of the King Trdat theory. He feels the traditional identification of the figure as a dog-headed (cynocephalous) is correct in most cases where only a single head is evident; double-headed figues (man and animal) still require explanation. Kouymjian has developed his interpretation based on the theory that early authors, in discussing the missionary activity of the Apostle Andrew to the "land of the dog-head" (beit kalbin in Syriac texts) had confused the term "kalb" (dog) with Banu Kalb, the name of an important Arab tribe which converted to Christianity in the 5th or 6th century. He illustrated this point with a slide of a pentecostal miniature from the Haroutune Hazarian collection. This single-page, unbound miniature, dated 1477, with a central figure whose head is rendered like that of a setter, has at both top and bottom of the page the Armenian words "Arabatsin", and "Shanaglukh" (dog-headed), respectively. Kouymjian feels that these inscriptions relate convincingly to the ministry of Andrew among the Arabs. Kouymjian completed his series of lectures discussing the Armenian tradition of miniature painting as it relates to the iconography of Pentecosts. The Hagop Kevorkian Lectureship in Near Eastern Art and Civilization came home, so to speak, as it provided a forum for Armenian research to be shared with the public. Armenian Action Editors — Mark Malkasian, Bill Erysian Staff — Barlow Der Mugrdechian, Warren Paboojian, Bryan Bedrosian, Cindy Avakian, Flora Tchader- jian, Mark Najarian, Mark Arax, Mara! Tchaderjian, Bill Sahatdjian. Ad Manager — Jim Malkasian Advisor — Dr. Dickran Kouymjian The "Hye Sharzhoom" is the official publication of the CSUF Armenian Students Organization. Articles may be reprinted provided the "Hye Sharzhoom", CSUF, is acknowledged. Armenian Studies Program CSUF Fresno, CA 93740 - |