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4 Hye Sharzhoom December 2005 Class on Fresno Armenians to be Featured in Osher Institute Staff Report B arlo w Der Mugrdechian ofthe Armenian Studies Program will teach a special course on "Fresno Armenians" on three consecutive Tuesdays, March 14, 21, 28 from 3:30-5:00 PM as part ofthe Osher Lifelong Learning Institute program at California State University, Fresno. Space is limited and on a first come basis. Admission is free for Osher Institute members and $20 for the general public on a space available basis. Der Mugrdechian has been teaching in the Armenian Studies Program at Fresno State for over twenty years and is a native of Fresno. He has frequently taught courses on Armenians in America and Armenians in Fresno. A $100,000 grant from the Bernard Osher Foundation in San Francisco has helped fund the Osher Li f elong Le am in g In s ti tu te at Cal i- fornia State University, Fresno. It will offer intellectually stimulating learning and cultural opportunities to people 50 and older. The institute's upcoming programs include-topical curriculum, field trips, forums and other educational opportunities taught by aca- Barlow Der Mugrdechian, left, ciate Vice-President of Contin demies, writers, artists, and professionals. The event will include a presentation about the institute and the opportunity to become a member. Fresno State's Osher Lifelong Learning Institute (OLLI) joins 59 other Osher institutes established since 2001 in colleges and universities in California and throughout the country. The grant to the Division of Continuing and Global Education at Fresno State has the potential for an additional two-year renewal and subsequently, the program may with Dr. Berta Gonzalez, asso- uing and Global Education. qualify for a permanent $1 million endowment. Dr. Berta Gonzalez, associate vice president of Continuing and Global Education at Fresno State, noted, "The Osher Lifelong Learning Institute will augment and enhance the many collaborative senior programs already offered by the university." Dr. Shirley Bmegman has been named director ofthe institute. She retired as vice chancellor of the State Center Community College District in 2002 and teaches in the Community College Faculty Prepa- Garo Antreasian- His Journey Through Time and Art Photo: Ara Nalbandian L * i r 1M Garo Antreasian Zhanna Bagdasarov Editor His name has been linked with the revival of creative lithography in the United States for over fifty years and his contributions to the world of art are undeniably immense. Mr. Garo Antreasian's exhibit at the Fresno Art Museum fm al ly share d his ace 1 aime d p a in t- ings, drawings, and prints with a Fresno audience, September 6, 2005-October30,2005. Walking into the museum on the eve ofthe artist's lecture,! was immediately confronted with a magnificent view of Antreasian's large works. The entire museum appeared alive with geometric elegance, which is evident in most of his designs. While taking a closer look at the works on display before the lecture, one question arose in my mind, "What could possibly serve as the artist's motivation and influence to create such elaborate art pieces?" It was as though the artist knew precisely what was of interest to his audience because he not only answered that question, but also covered his life's journey. The hour-long lecture took place on Thursday, October 27 at 5 PM and was immediately followed by a reception. My question was answered little by little throughout the lecture, yet it was the beginning of the lecture that touched on Antreasian's influences the most. He spoke at length about his background, which consisted of being bom in Indianapolis to Armenian parents. His father was a revolutionary and his mother and grandmother were both survivors of the terrible Armenian genocide of 1915. It was his father who insisted on beginning a new life in America, yet his mother and grandmother were determined to maintain their Armenian cultural heritage. Thus, Antreasian was taught to speak Armenian at home, he ate Armenian cuisine and scarcely spoke English until entering grade school. As a young boy, he spent much of his time reading and day-dreaming, which in turn became the crucial aspect of his later career in art. Nonetheless, he admits that his art was greatly influenced by the two cultures he experienced while growing up. Antreasian acquired his first set of oil paints due to the exhaustive efforts of his sixth grade teacher, who talked his parents into investing in these instruments. His first art-related experiences included painting in the company of elderly ladies every Saturday. It wasn't until his high school years however, that Antreasian was introduced to lithography and began his life-long efforts to try and revive it in the United States. As soon as he entered the John Herron School of Art, Antreasian found better lithography equipment than at the high school ,yet was disappointed to find the needed courses discontinued. Thus, throughout his life, Antreasian would experiment with lithography technology in hopes of perfecting it. After completing his BFA degree at Herron, he was offered a teaching position there and remained for 16 years, during which he initiated new courses in design, advanced composition, print-making, and advanced drawing and painting. For the next few years, the artist made incredible progress in regards to technology, new materials and equipment and stimulating interest among new artists. Antreasian's big break came at the time he was invited to join thenewly established lithography program at the University of New Mexico. It is here that his works adopted a more abstract, hard-edged and simple approach, yet it was more demanding technically. According to the artist, he was also very much influenced by the art of other cultures. His trip to Brazil and Turkey sparked an interest in decorative and Islamic art. This also brought about a need to paint again, which is something he hadn't done due to his interests in printmaking. Retirement in 1987 allowed the artist to rejoin the art of painting, which is something he urged to do after a lengthy break. ration CertificateprogramatFresno State. "Our goal is to put together a program that appeals to a very vital population and to create a community of learners. We' 11 be expanding our offerings as we gain experience in what our members want." Membership in the Osher Institute will provide active seniors the opportunity to participate in short courses,discussion groups,lectures and travel study programs beginning this fall. Members also receive free parking on campus during OLLI events, Madden Library privileges and reduced admission fees at Fresno-area museums. Memberships per semester are $45 for an individual and $80 for a couple. Among the fall offerings ofthe Institute were Victor Davis Hanson of the Hoover Institute and former Fresno State faculty member; William Sadler, author of "The Third Age," Dwayne Berrett on "How to Retire TO Something—NotFROM Something;" Marilyn Miller on "The Importance of Fitness After 50;" and Kenneth Fugelsang, Fresno State winemaster, "The Art of Winemaking." The Osher Foundation was founded in 2001 by Bernard Osher, a successful San Francisco businessman and community leader, a patron of the arts and education, whose philanthropy has affected countless organizations over the past quarter century. For more information on Fresno State's Osher Lifelong Learning Institute, call (559) 278-0008, e- mail sbruegman® csufresno .edu, or see www.csufresno.edu/ ExtendedEd/osher .htm. Henry S. Khanzadian Kazan Visiting Professorship in Armenian Studies Appointment: Available either Fall 2006 or Spring 2007. (Candidates must specify semester for which they are applying.) This is a one time appointment for one semester only. Salary: Dependent upon academic preparation and professional experience. Teaching Load: One course in modern Armenian studies (nineteenth or twentieth century) is required, other teaching is optional. Instructional Level: Undergraduate Specific Position Characteristics: The successful candidate will be required to teach a single course in Armenian Studies in the modern period (nineteenth century or later). Candidates should indicate the specific course they propose to offer, including a very brief outline. In addition, the successful candidate will be required to give three public lectures on a single topic to be published later as a monograph. Candidates should indicate their three-lecture topic by title in their letter of application. The successful candidate may be expected to teach in a distance learning mode. The successful candidate will be expected to work cooperatively with faculty and staff in the department and college. The successful candidate may be asked to teach an additional 3-unit course during the semester. Qualifications: Academic Preparation: An earned doctorate. Preference will be given to candidates with a completed Ph.D. in Armenian Studies or a related field, and who have published books and articles in the discipline of Armenian studies or Armenian history or a related area. Teaching or Other Professional Experience: The university is seeking candidates who possess a record of distinguished publication and research in modern Armenian studies and whose professional career has been in university teaching or research in Armenian Studies, Armenian History, or a closely related field. The successful candidate must have the ability to work effectively with faculty, staff and students from diverse ethnic, cultural, and socioeconomic backgrounds. Online application form can be found at http://www.csufresno.edu/ aps/vacancy/scl .pdf Applications: Applicants should send a cover letter describing how they meet the requirements ofthe position. The letter should also specify the semester for which they are applying. A complete up-to-date curriculum vitae; three letters of recommendation; names, addresses, telephone numbers and email addresses for five references must also be included with the application form. All materials should be sent directly to: Dr. Bruce Thornton, Search Committee Chair Department of Foreign Languages California State University, Fresno 2320 E San Ramon Avenue M/S - EE96 Fresno, CA 93740-8030 Phone: (559)278-7037 Fax: (559)278-7878 e-mailto: Brucet@csufresno.edu Open Until Filled: To ensure the fullest consideration of their application, applicants are encouraged to have all application materials on file by: January 31,2006. He began to draw again and his works reached a height of six feet and larger. It is these large pieces of art that one couldn't help but notice walking into the museum. This lecture shed some light upon aspects ofthe artist's life that are the missing pieces to this artistic puzzle. When listening to Antreasian's account of his journey through time, one was able to begin to understand the way his experiences, literature, dual cultural backgrounds and works by other artists, have shaped every stroke of his brush, every choice of color, as well as his ideas and themes.
Object Description
Title | 2005_12 Hye Sharzhoom Newspaper December 2005 |
Alternative Title | Armenian Action, Vol. 27 No. 2 December 2005; Ethnic Supplement to the Collegian. |
Publisher | Armenian Studies Program, California State University, Fresno. |
Publication Date | 2005 |
Description | Published two to four times a year. The newspaper of the California State University, Fresno Armenian Students Organization and Armenian Studies Program. |
Subject | California State University, Fresno – Periodicals. |
Contributors | Armenian Studies Program; Armenian Students Organization, California State University, Fresno. |
Coverage | 1979-2014 |
Format | Newspaper print |
Technical Information | Scanned at 200-360 dpi, 18-bit greyscale - 24-bit color, TIFF or PDF. PDFs were converted to TIF using Adobe Acrobat 9 Pro. |
Language | eng |
Description
Title | December 2005 Page 4 |
Full-Text-Search | 4 Hye Sharzhoom December 2005 Class on Fresno Armenians to be Featured in Osher Institute Staff Report B arlo w Der Mugrdechian ofthe Armenian Studies Program will teach a special course on "Fresno Armenians" on three consecutive Tuesdays, March 14, 21, 28 from 3:30-5:00 PM as part ofthe Osher Lifelong Learning Institute program at California State University, Fresno. Space is limited and on a first come basis. Admission is free for Osher Institute members and $20 for the general public on a space available basis. Der Mugrdechian has been teaching in the Armenian Studies Program at Fresno State for over twenty years and is a native of Fresno. He has frequently taught courses on Armenians in America and Armenians in Fresno. A $100,000 grant from the Bernard Osher Foundation in San Francisco has helped fund the Osher Li f elong Le am in g In s ti tu te at Cal i- fornia State University, Fresno. It will offer intellectually stimulating learning and cultural opportunities to people 50 and older. The institute's upcoming programs include-topical curriculum, field trips, forums and other educational opportunities taught by aca- Barlow Der Mugrdechian, left, ciate Vice-President of Contin demies, writers, artists, and professionals. The event will include a presentation about the institute and the opportunity to become a member. Fresno State's Osher Lifelong Learning Institute (OLLI) joins 59 other Osher institutes established since 2001 in colleges and universities in California and throughout the country. The grant to the Division of Continuing and Global Education at Fresno State has the potential for an additional two-year renewal and subsequently, the program may with Dr. Berta Gonzalez, asso- uing and Global Education. qualify for a permanent $1 million endowment. Dr. Berta Gonzalez, associate vice president of Continuing and Global Education at Fresno State, noted, "The Osher Lifelong Learning Institute will augment and enhance the many collaborative senior programs already offered by the university." Dr. Shirley Bmegman has been named director ofthe institute. She retired as vice chancellor of the State Center Community College District in 2002 and teaches in the Community College Faculty Prepa- Garo Antreasian- His Journey Through Time and Art Photo: Ara Nalbandian L * i r 1M Garo Antreasian Zhanna Bagdasarov Editor His name has been linked with the revival of creative lithography in the United States for over fifty years and his contributions to the world of art are undeniably immense. Mr. Garo Antreasian's exhibit at the Fresno Art Museum fm al ly share d his ace 1 aime d p a in t- ings, drawings, and prints with a Fresno audience, September 6, 2005-October30,2005. Walking into the museum on the eve ofthe artist's lecture,! was immediately confronted with a magnificent view of Antreasian's large works. The entire museum appeared alive with geometric elegance, which is evident in most of his designs. While taking a closer look at the works on display before the lecture, one question arose in my mind, "What could possibly serve as the artist's motivation and influence to create such elaborate art pieces?" It was as though the artist knew precisely what was of interest to his audience because he not only answered that question, but also covered his life's journey. The hour-long lecture took place on Thursday, October 27 at 5 PM and was immediately followed by a reception. My question was answered little by little throughout the lecture, yet it was the beginning of the lecture that touched on Antreasian's influences the most. He spoke at length about his background, which consisted of being bom in Indianapolis to Armenian parents. His father was a revolutionary and his mother and grandmother were both survivors of the terrible Armenian genocide of 1915. It was his father who insisted on beginning a new life in America, yet his mother and grandmother were determined to maintain their Armenian cultural heritage. Thus, Antreasian was taught to speak Armenian at home, he ate Armenian cuisine and scarcely spoke English until entering grade school. As a young boy, he spent much of his time reading and day-dreaming, which in turn became the crucial aspect of his later career in art. Nonetheless, he admits that his art was greatly influenced by the two cultures he experienced while growing up. Antreasian acquired his first set of oil paints due to the exhaustive efforts of his sixth grade teacher, who talked his parents into investing in these instruments. His first art-related experiences included painting in the company of elderly ladies every Saturday. It wasn't until his high school years however, that Antreasian was introduced to lithography and began his life-long efforts to try and revive it in the United States. As soon as he entered the John Herron School of Art, Antreasian found better lithography equipment than at the high school ,yet was disappointed to find the needed courses discontinued. Thus, throughout his life, Antreasian would experiment with lithography technology in hopes of perfecting it. After completing his BFA degree at Herron, he was offered a teaching position there and remained for 16 years, during which he initiated new courses in design, advanced composition, print-making, and advanced drawing and painting. For the next few years, the artist made incredible progress in regards to technology, new materials and equipment and stimulating interest among new artists. Antreasian's big break came at the time he was invited to join thenewly established lithography program at the University of New Mexico. It is here that his works adopted a more abstract, hard-edged and simple approach, yet it was more demanding technically. According to the artist, he was also very much influenced by the art of other cultures. His trip to Brazil and Turkey sparked an interest in decorative and Islamic art. This also brought about a need to paint again, which is something he hadn't done due to his interests in printmaking. Retirement in 1987 allowed the artist to rejoin the art of painting, which is something he urged to do after a lengthy break. ration CertificateprogramatFresno State. "Our goal is to put together a program that appeals to a very vital population and to create a community of learners. We' 11 be expanding our offerings as we gain experience in what our members want." Membership in the Osher Institute will provide active seniors the opportunity to participate in short courses,discussion groups,lectures and travel study programs beginning this fall. Members also receive free parking on campus during OLLI events, Madden Library privileges and reduced admission fees at Fresno-area museums. Memberships per semester are $45 for an individual and $80 for a couple. Among the fall offerings ofthe Institute were Victor Davis Hanson of the Hoover Institute and former Fresno State faculty member; William Sadler, author of "The Third Age," Dwayne Berrett on "How to Retire TO Something—NotFROM Something;" Marilyn Miller on "The Importance of Fitness After 50;" and Kenneth Fugelsang, Fresno State winemaster, "The Art of Winemaking." The Osher Foundation was founded in 2001 by Bernard Osher, a successful San Francisco businessman and community leader, a patron of the arts and education, whose philanthropy has affected countless organizations over the past quarter century. For more information on Fresno State's Osher Lifelong Learning Institute, call (559) 278-0008, e- mail sbruegman® csufresno .edu, or see www.csufresno.edu/ ExtendedEd/osher .htm. Henry S. Khanzadian Kazan Visiting Professorship in Armenian Studies Appointment: Available either Fall 2006 or Spring 2007. (Candidates must specify semester for which they are applying.) This is a one time appointment for one semester only. Salary: Dependent upon academic preparation and professional experience. Teaching Load: One course in modern Armenian studies (nineteenth or twentieth century) is required, other teaching is optional. Instructional Level: Undergraduate Specific Position Characteristics: The successful candidate will be required to teach a single course in Armenian Studies in the modern period (nineteenth century or later). Candidates should indicate the specific course they propose to offer, including a very brief outline. In addition, the successful candidate will be required to give three public lectures on a single topic to be published later as a monograph. Candidates should indicate their three-lecture topic by title in their letter of application. The successful candidate may be expected to teach in a distance learning mode. The successful candidate will be expected to work cooperatively with faculty and staff in the department and college. The successful candidate may be asked to teach an additional 3-unit course during the semester. Qualifications: Academic Preparation: An earned doctorate. Preference will be given to candidates with a completed Ph.D. in Armenian Studies or a related field, and who have published books and articles in the discipline of Armenian studies or Armenian history or a related area. Teaching or Other Professional Experience: The university is seeking candidates who possess a record of distinguished publication and research in modern Armenian studies and whose professional career has been in university teaching or research in Armenian Studies, Armenian History, or a closely related field. The successful candidate must have the ability to work effectively with faculty, staff and students from diverse ethnic, cultural, and socioeconomic backgrounds. Online application form can be found at http://www.csufresno.edu/ aps/vacancy/scl .pdf Applications: Applicants should send a cover letter describing how they meet the requirements ofthe position. The letter should also specify the semester for which they are applying. A complete up-to-date curriculum vitae; three letters of recommendation; names, addresses, telephone numbers and email addresses for five references must also be included with the application form. All materials should be sent directly to: Dr. Bruce Thornton, Search Committee Chair Department of Foreign Languages California State University, Fresno 2320 E San Ramon Avenue M/S - EE96 Fresno, CA 93740-8030 Phone: (559)278-7037 Fax: (559)278-7878 e-mailto: Brucet@csufresno.edu Open Until Filled: To ensure the fullest consideration of their application, applicants are encouraged to have all application materials on file by: January 31,2006. He began to draw again and his works reached a height of six feet and larger. It is these large pieces of art that one couldn't help but notice walking into the museum. This lecture shed some light upon aspects ofthe artist's life that are the missing pieces to this artistic puzzle. When listening to Antreasian's account of his journey through time, one was able to begin to understand the way his experiences, literature, dual cultural backgrounds and works by other artists, have shaped every stroke of his brush, every choice of color, as well as his ideas and themes. |